June 10, 2020

From Gerald R. Lucas
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Finished Blood Meridian covid-19: day 89 | US: GA | info | act

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Something strikes me about Cormac McCarthy’s 1985 novel Blood Meridian as more apposite today than when it was written. Maybe, as the interview points out, McCarthy was aware of a resurgence of the power of evangelical Christianity, but the mid-eighties seemed to me (what the hell did I know as a 16-year-old?) as a more placid time when compared to the fractious, post-fact world where God’s most devoted seem to be doing the devil’s work. This might be another way of saying: the Judge, while obviously a mythical antagonist, did not seem as horrific as I expected.

Maybe it’s that the whole narrative has a Biblical, epical, or fabalistic quality to it that removes it from the quotidian and mitigates its violence. David Vann calls it an “American Inferno,” likening McCarthy’s surrealistic landscapes with those of Dante: “Hell here is an open desert landscape, an endless journey past demonic shapes and beings living and dead.”[2] Indeed, since the kid is shot at the beginning of the novel, and this might be his own journey through hell,[a] except without the benefit of a Virgil—only accompanied and later pursued by the devil himself in the form of a seven-foot-tall, bald albino calling himself the Judge.

Virgil might be missing because this is virginal hell—one that has grown out of a new form of savageness in the American west. Dante’s La comedia is also a redemption story, but you’ll get nothing like that here. Is America newly damned in the mid-eighties, or has it always been so? The Judge is both Ahab and the white whale—a monstrous baby Shiva that dances the destruction of all he sees.

. . .

Notes

  1. Thanks to my friend Todd Hoffman for this idea when we were discussing the novel.

Citations

Works Cited

  • Pierce, Leonard (June 15, 2009). "Harold Bloom on Blood Meridian". AV Club. Retrieved 2020-06-11.
  • Vann, David (November 13, 2009). "American Inferno". The Guardian. Retrieved 2020-06-11.