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Ultron and Trioplan Play covid-19: day 286 | US: GA | info | act

Today is the first sunny day since receiving my Ultron 1.8/21. I took advantage of the situation and snapped a couple of photos with the Leica SL around the house. I am amazed by the rich color reproduction, the three-dimensionality, and sharpness of this lens. Notice that there is no flare shooting directly in to the sun. I am very impressed, and I will be using this lens pretty exclusively for the foreseeable future. I also know there will be more Voigtländer lenses in my future.


Then I started messing around with the Trioplan 2.8/100. I’ve been disappointed in this lens lately, and I figured I might like it better stopped down. I tried some experiments and got a couple of good shots, but when I added the Rotolight into the mix—wow! That extra light is just what I needed. Here are some samples with two Buddhas, and the Rotolight is camera-left on all.


Only at f/2.8 do we get the magic Trioplan soap-bubble bokeh, evident in the last image. Be sure to enlarge each photo for the full effect. I did sharpen each of these a bit in post. Not bad.

Finally, when Henry and Autumn got home, I had to do a few more shots with the Trioplan. Golden Hour was upon us, so I got my underutilized reflector and we all headed outside. Henry is a bit fidgety, so I didn’t feel like I got anything. I’m happy to report that I was wrong.


These are all taken at f/2.8 with some sharpening and minor tweaking in post. Again, click to embiggen—they really don’t look too special as small images. Maybe I’ll hold on to the Trioplan a bit longer. This makes me also want to get a couple more vintage lens, like a Leica Summitar 2/50 that Matt Osborne touts.