August 19, 2021: Difference between revisions
(Finished through part 5.) |
(Added to the end. Needs commentary.) |
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Quoth he, “The man hath penance done, | Quoth he, “The man hath penance done, | ||
And penance more will do.” | And penance more will do.” | ||
</poem><br /><br /> | |||
|- | |||
| {{center|''Part 6''}}<br />{{int|Phantom voices question the what is driving the ship forward. As the voices disappear, the Mariner awakes to find the crew glaring at him. The ship approaches shore. }}<br /> | |||
<poem> | |||
{{center|{{font|font=Alegreya SC|first voice}}}} | |||
“But tell me, tell me! speak again, {{ln|410}} | |||
Thy soft response renewing— | |||
What makes that ship drive on so fast? | |||
What is the {{font|font=Alegreya SC|ocean}} doing?” | |||
{{center|{{font|font=Alegreya SC|second voice}}}} | |||
“Still as a slave before his lord, | |||
The {{font|font=Alegreya SC|ocean}} hath no blast; {{ln|415}} | |||
His great bright eye most silently | |||
Up to the Moon is cast— | |||
If he may know which way to go; | |||
For she guides him smooth or grim | |||
See, brother, see! how graciously {{ln|420}} | |||
She looketh down on him.” | |||
{{center|{{font|font=Alegreya SC|first voice}}}} | |||
“But why drives on that ship so fast, | |||
Without or wave or wind?” | |||
{{center|{{font|font=Alegreya SC|second voice}}}} | |||
“The air is cut away before, | |||
And closes from behind. {{ln|425}} | |||
Fly, brother, fly! more high, more high | |||
Or we shall be belated: | |||
For slow and slow that ship will go, | |||
When the Mariner's trance is abated.” | |||
I woke, and we were sailing on {{ln|430}} | |||
As in a gentle weather: | |||
’Twas night, calm night, the Moon was high; | |||
The dead men stood together. | |||
All stood together on the deck, | |||
For a {{H:title|A charnel house is a building or vault in which corpses or bones are piled.|charnel-dungeon}} fitter: {{ln|435}} | |||
All fixed on me their stony eyes, | |||
That in the Moon did glitter. | |||
The pang, the curse, with which they died, | |||
Had never passed away: | |||
I could not draw my eyes from theirs, {{ln|440}} | |||
Nor turn them up to pray. | |||
And now this spell was snapt: once more | |||
I viewed the ocean green. | |||
And looked far forth, yet little saw | |||
Of what had else been seen— {{ln|445}} | |||
Like one that on a lonesome road | |||
Doth walk in fear and dread, | |||
And having once turned round walks on, | |||
And turns no more his head; | |||
Because he knows, a frightful fiend {{ln|450}} | |||
Doth close behind him tread. | |||
But soon there breathed a wind on me, | |||
Nor sound nor motion made: | |||
Its path was not upon the sea, | |||
In ripple or in shade. {{ln|455}} | |||
It raised my hair, it fanned my cheek | |||
Like a meadow-gale of spring— | |||
It mingled strangely with my fears, | |||
Yet it felt like a welcoming. | |||
Swiftly, swiftly flew the ship, {{ln|460}} | |||
Yet she sailed softly too: | |||
Sweetly, sweetly blew the breeze— | |||
On me alone it blew. | |||
Oh! dream of joy! is this indeed | |||
The light-house top I see? {{ln|465}} | |||
Is this the hill? is this the {{H:title|Church.|kirk}}? | |||
Is this mine own countree! | |||
We drifted o’er the harbour-bar, | |||
And I with sobs did pray— | |||
O let me be awake, my God! {{ln|470}} | |||
Or let me sleep alway. | |||
The harbour-bay was clear as glass, | |||
So smoothly it was strewn! | |||
And on the bay the moonlight lay, | |||
And the shadow of the moon. {{ln|475}} | |||
The rock shone bright, the kirk no less, | |||
That stands above the rock: | |||
The moonlight steeped in silentness | |||
The steady weathercock. | |||
And the bay was white with silent light, {{ln|480}} | |||
Till rising from the same, | |||
Full many shapes, that shadows were, | |||
In crimson colours came. | |||
A little distance from the prow | |||
Those crimson shadows were: {{ln|485}} | |||
I turned my eyes upon the deck— | |||
Oh, Christ! what saw I there! | |||
Each {{H:title|Corpse.|corse}} lay flat, lifeless and flat, | |||
And, by the holy {{H:title|Cross.|rood}}! | |||
A man all light, a {{H:title|The highest-ranking angel.|seraph}}-man, {{ln|490}} | |||
On every corse there stood. | |||
This seraph band, each waved his hand: | |||
It was a heavenly sight! | |||
They stood as signals to the land, | |||
Each one a lovely light: {{ln|495}} | |||
This seraph-band, each waved his hand, | |||
No voice did they impart— | |||
No voice; but oh! the silence sank | |||
Like music on my heart. | |||
But soon I heard the dash of oars; {{ln|500}} | |||
I heard the Pilot’s cheer; | |||
My head was turned perforce away, | |||
And I saw a boat appear. | |||
The Pilot, and the Pilot’s boy, | |||
I heard them coming fast: {{ln|505}} | |||
Dear Lord in Heaven! it was a joy | |||
The dead men could not blast. | |||
I saw a third—I heard his voice: | |||
It is the Hermit good! | |||
He singeth loud his godly hymns {{ln|510}} | |||
That he makes in the wood. | |||
He’ll {{H:title|Clense or absolve.|shrieve}} my soul, he’ll wash away | |||
The Albatross’s blood. | |||
</poem><br /><br /> | |||
|- | |||
| {{center|''Part 7''}}<br />{{int|The crew of an approaching boat is apprehensive about getting closer to the Mariner’s ship. The sudden sinking of the ship put everyone in harm’s way. The Mariner is compelled to share his story with the Hermit, and eases his own pain in the process. }}<br /> | |||
<poem> | |||
This Hermit good lives in that wood | |||
Which slopes down to the sea. {{ln|515}} | |||
How loudly his sweet voice he rears! | |||
He loves to talk with marineres | |||
That come from a far countree. | |||
He kneels at morn and noon and eve— | |||
He hath a cushion plump: {{ln|520}} | |||
It is the moss that wholly hides | |||
The rotted old oak-stump. | |||
The skiff-boat neared: I heard them talk, | |||
“Why this is strange, I {{H:title|Think or believe.|trow}}! | |||
Where are those lights so many and fair, {{ln|525}} | |||
That signal made but now?” | |||
“Strange, by my faith!” the Hermit said— | |||
“And they answered not our cheer! | |||
The planks looked warped! and see those sails, | |||
How thin they are and sere! {{ln|530}} | |||
I never saw aught like to them, | |||
Unless perchance it were | |||
Brown skeletons of leaves that lag | |||
My forest-brook along; | |||
When the {{H:title|A clump of ivy.|ivy-tod}} is heavy with snow, {{ln|535}} | |||
And the owlet whoops to the wolf below, | |||
That eats the she-wolf’s young.” | |||
“Dear Lord! it hath a fiendish look”— | |||
(The Pilot made reply) | |||
“I am a-feared”—“Push on, push on!” {{ln|540}} | |||
Said the Hermit cheerily. | |||
The boat came closer to the ship, | |||
But I nor spake nor stirred; | |||
The boat came close beneath the ship, | |||
And straight a sound was heard. {{ln|545}} | |||
Under the water it rumbled on, | |||
Still louder and more dread: | |||
It reached the ship, it split the bay; | |||
The ship went down like lead. | |||
Stunned by that loud and dreadful sound, {{ln|550}} | |||
Which sky and ocean smote, | |||
Like one that hath been seven days drowned | |||
My body lay afloat; | |||
But swift as dreams, myself I found | |||
Within the Pilot’s boat. {{ln|555}} | |||
Upon the whirl, where sank the ship, | |||
The boat spun round and round; | |||
And all was still, save that the hill | |||
Was telling of the sound. | |||
I moved my lips—the Pilot shrieked {{ln|560}} | |||
And fell down in a fit; | |||
The holy Hermit raised his eyes, | |||
And prayed where he did sit. | |||
I took the oars: the Pilot’s boy, | |||
Who now doth crazy go, {{ln|565}} | |||
Laughed loud and long, and all the while | |||
His eyes went to and fro. | |||
“Ha! ha!” quoth he, “full plain I see, | |||
The Devil knows how to row.” | |||
And now, all in my own countree, {{ln|570}} | |||
I stood on the firm land! | |||
The Hermit stepped forth from the boat, | |||
And scarcely he could stand. | |||
“O shrieve me, shrieve me, holy man!”{{refn|I.e., hear my confession and grant me absolution.}} | |||
The Hermit crossed his brow.{{refn|He made the sign of the cross on his forehead.}} {{ln|575}} | |||
“Say quick,” quoth he, “I bid thee say— | |||
What manner of man art thou?” | |||
Forthwith this frame of mine was wrenched | |||
With a woeful agony, | |||
Which forced me to begin my tale; {{ln|580}} | |||
And then it left me free. | |||
Since then, at an uncertain hour, | |||
That agony returns; | |||
And till my ghastly tale is told, | |||
This heart within me burns. {{ln|585}} | |||
I pass, like night, from land to land; | |||
I have strange power of speech; | |||
That moment that his face I see, | |||
I know the man that must hear me:{{efn|A careless man, perhaps, like one who might shoot an albatross for no reason.}} | |||
To him my tale I teach. {{ln|590}} | |||
What loud uproar bursts from that door! | |||
The wedding-guests are there: | |||
But in the garden-bower the bride | |||
And bride-maids singing are: | |||
And hark the little vesper bell, {{ln|595}} | |||
Which biddeth me to prayer! | |||
O Wedding-Guest! this soul hath been | |||
Alone on a wide wide sea: | |||
So lonely ’twas, that God himself | |||
Scarce seemed there to be. {{ln|600}} | |||
O sweeter than the marriage-feast, | |||
’Tis sweeter far to me, | |||
To walk together to the kirk | |||
With a goodly company!— | |||
To walk together to the kirk, {{ln|605}} | |||
And all together pray, | |||
While each to his great Father bends, | |||
Old men, and babes, and loving friends, | |||
And youths and maidens gay! | |||
Farewell, farewell! but this I tell {{ln|610}} | |||
To thee, thou Wedding-Guest! | |||
He prayeth well, who loveth well | |||
Both man and bird and beast. | |||
He prayeth best, who loveth best | |||
All things both great and small; {{ln|615}} | |||
For the dear God who loveth us | |||
He made and loveth all.{{efn|Indeed, a lesson we might need more today than Coleridge’s readers did: have respect for our world and all the creatures in it. Humans have grown careless in their arrogance, pushing out the mysteries and sublimity of the natural world that could teach us humility. The lesson here seems to be similar to Wordsworth’s in “[[August 1, 2021|The World Is too Much with Us]].”}} | |||
The Mariner, whose eye is bright, | |||
Whose beard with age is {{H:title|Gray.|hoar}}, | |||
Is gone: and now the Wedding-Guest {{ln|620}} | |||
Turned from the bridegroom’s door. | |||
He went like one that hath been stunned, | |||
And is of sense {{H:title|Bereft: sad and lonely, or missing soemthing.|forlorn}}: | |||
A sadder and a wiser man, | |||
He rose the morrow morn. {{ln|625}} | |||
</poem> | </poem> | ||
|}</div> | |}</div> |
Revision as of 07:39, 21 August 2021
Part 1 An old mariner stops a group on their way to a wedding. The leader of the group listens to the mariner’s story. The mariner’s tale starts out with calm seas and a happy crew, but a sudden storm and strange weather change the mood. The mariner’s actions upset the crew. It is an ancient Mariner, |
Part 2 The conditions at sea improve, causing the crew to change their opinion of the mariner. When the conditions change for the worse the crew force the mariner to wear the dead albatross as a sign of guilt. The Sun now rose upon the right:[3] |
Part 3 The crew is overtaken with thirst. The approach of another ship causes the mariner to become hopeful. But as the ship gets ever closer, his hope turns to dread. There passed a weary time. Each throat |
Part 4 As the Mariner’s tale continues, his appearance starts to alarm the wedding guest. The Mariner tells of the crew’s fate. After a period alone on the ship a prayer releases the weight of his guilt. “I fear thee, ancient Mariner! |
Part 5 The weather once again changes for the better, quenching the thirst of the Mariner. The crew, although changed, continue to perform their assigned duties. Oh sleep! it is a gentle thing, |
Part 6 Phantom voices question the what is driving the ship forward. As the voices disappear, the Mariner awakes to find the crew glaring at him. The ship approaches shore. first voice “But tell me, tell me! speak again, 410 second voice “Still as a slave before his lord, first voice “But why drives on that ship so fast, second voice “The air is cut away before, |
Part 7 The crew of an approaching boat is apprehensive about getting closer to the Mariner’s ship. The sudden sinking of the ship put everyone in harm’s way. The Mariner is compelled to share his story with the Hermit, and eases his own pain in the process. This Hermit good lives in that wood |
Commentary
- ↑ The Mariner has mesmerized the wedding guest: think of it like a kind of hypnotism. This is the first hint of the supernatural forces at work in the poem and the mariner himself.
- ↑ A whole stanza to show the ship was headed south.
- ↑ A careless man, perhaps, like one who might shoot an albatross for no reason.
- ↑ Indeed, a lesson we might need more today than Coleridge’s readers did: have respect for our world and all the creatures in it. Humans have grown careless in their arrogance, pushing out the mysteries and sublimity of the natural world that could teach us humility. The lesson here seems to be similar to Wordsworth’s in “The World Is too Much with Us.”
Notes and References
- ↑ The text and introductions are from Coleridge, S. T. (1798). The Rime of the Ancient Mariner. London: A. Arch, Gracechurch Street.
- ↑ The albatross is a symbol of good luck, but in Rime it becomes symbolic of a psychological burden.
- ↑ The ship has rounded Cape Horn and now heads north into the Pacific Ocean.
- ↑ This could be referencing the phosphorescence of the decomposing sea creature in line 123, or St. Elmo’s Fire: an atmospheric discharge along a ship’s rigging—an ill omen.
- ↑ Sometimes called a water faery, a water-sprite is an elemental spirit associated with water.
- ↑ Gauze-like. Here the sail, like the ship, suggest a skeleton, or something worn down and decaying.
- ↑ The skeleton ship.
- ↑ The ghost ship. A “bark” is a ship.
- ↑ Another portent of evil.
- ↑ This might be a reference to St. Elmo’s fire (l. 261), or perhaps to the Southern Lights.
- ↑ Flowering plants, sedges may be found growing in almost all environments, many are associated with wetlands, or with poor soils.
- ↑ I.e., hear my confession and grant me absolution.
- ↑ He made the sign of the cross on his forehead.
Bibliography
- Parker, James (May 13, 2020). "The 1798 Poem That Was Made for 2020". The Atlantic. Books. Retrieved 2021-08-20.
- Rumens, Carol (October 26, 2009). "Poem of the week: The Rime of the Ancient Mariner by Samuel Taylor Coleridge". The Guardian. Books Blog. Retrieved 2021-08-20.