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May 10, 2003: Difference between revisions

Florida soundtrack, spring 2003.
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{{Large|Florida 2003 Soundtrack}}
{{SHORTDESC:Florida soundtrack, spring 2003.}}
{{jt|title=Florida 2003 Soundtrack}}


{{cquote|''I've been on the losing end of distance / A little too far to be close . . . ''}}
{{cquote|''I've been on the losing end of distance / A little too far to be close . . . ''}}


All very predictable, if you know me, but fun nonetheless.
{{dc|A}}{{Start|ll very predictable, if you know me, but fun nonetheless.}}


'''Thursday, May 1''': Chuck Mangione’s “Bellavia” and “Doing Everything With You.”
==Thursday, May 1==
{{c|Chuck Mangione}}’s “Bellavia” and “Doing Everything With You.”


'''Friday, May 2 through Sunday (afternoon), May 4''': Silence, like Dante meeting God.
==Friday, May 2 through Sunday (afternoon), May 4==
Silence, like Dante meeting God.


{{cquote|<poem>But as my sight by seeing learned to see,
{{cquote|<poem>But as my sight by seeing learned to see,
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The love that moves the sun and the other stars.</poem>}}
The love that moves the sun and the other stars.</poem>}}


OK, if I have to pick, maybe Led Zeppelin’s “Friends” or Toad’s “Eyes Open Wide” Nah. Silence is better, even than Zep this time.
OK, if I have to pick, maybe {{c|Led Zeppelin}}’s “Friends” or {{c|Toad the Wet Sprocket|Toad}}’s “Eyes Open Wide” Nah. Silence is better, even than Zep this time.


'''Sunday, May 4''' (evening): Coldplay’s “Trouble.” Also, [[David]] gave me some new jazz, most loungy and acidy. I’ve only listened to select bits so far, but it went down well with the beer and pizza.
==Sunday, May 4==
(Evening): Coldplay’s “Trouble.” Also, [[David]] gave me some new jazz, most loungy and acidy. I’ve only listened to select bits so far, but it went down well with the beer and pizza.


'''Monday, May 5''': Donald Fagen’s “Walk between the Raindrops.” Also, Monday night would have to be the Police’s “The Bed’s too Big without You.” Though I don’t have a copy of this song with me, I was whistling it all evening and on into Tuesday. It has a reggae feel to it, like much of the Police’s early stuff. Must be something about the atmosphere.
==Monday, May 5==
{{c|Donald Fagen}}’s “Walk between the Raindrops.” Also, Monday night would have to be the Police’s “The Bed’s too Big without You.” Though I don’t have a copy of this song with me, I was whistling it all evening and on into Tuesday. It has a reggae feel to it, like much of the Police’s early stuff. Must be something about the atmosphere.


'''Wednesday, May 7'''—on a morning drive into Tampa: Coldplay’s “Shiver.” Totally inappropriate, prompting laughs and ridicule. ''Form the moment I wake, to the moment I sleep, I’ll be there by your side. Just you try and stop me.'' BANG! Magnum. Thanks, granddad.
==Wednesday, May 7==
—on a morning drive into Tampa: Coldplay’s “Shiver.” Totally inappropriate, prompting laughs and ridicule. ''From the moment I wake, to the moment I sleep, I’ll be there by your side. Just you try and stop me.'' BANG! Magnum. Thanks, granddad.


'''Thursday, May 8''': The Samples’ “Losing End of Distance.” Running this morning in the strong Florida sun, I thought of my departure tomorrow. Seeming to sense this, my iPod chose an appropriate song. Perhaps a bit more maudlin and 18-year-old-romantic (or is that the 16-year-old inside me?) to be an accurate expression of my feelings, but the imagery is cool: ''From the bottom of the oceans, to the mountains of the moon''. The song has a reggae syncopated upbeat that unpredictably mixes well with the subject of loss, as if hope exists in the looking.
==Thursday, May 8==
The Samples’ “Losing End of Distance.” Running this morning in the strong Florida sun, I thought of my departure tomorrow. Seeming to sense this, my iPod chose an appropriate song. Perhaps a bit more maudlin and 18-year-old-romantic (or is that the 16-year-old inside me?) to be an accurate expression of my feelings, but the imagery is cool: ''From the bottom of the oceans, to the mountains of the moon''. The song has a reggae syncopated upbeat that unpredictably mixes well with the subject of loss, as if hope exists in the looking.


As soon as I stopped my run and decided to walk a bit more on the beach, DMB’s “Crash” began on the iPod. ''I feel the waves come crash into me''. The confusion of passion and violence also seemed awkwardly apropos for this morning’s beach walk. Plenty of water and wave imagery mixed with my increasing realization of ''all good things. . . .''
As soon as I stopped my run and decided to walk a bit more on the beach, {{c|Dave Matthews Band|DMB}}’s “Crash” began on the iPod. ''I feel the waves come crash into me''. The confusion of passion and violence also seemed awkwardly apropos for this morning’s beach walk. Plenty of water and wave imagery mixed with my increasing realization of ''all good things. . . .''


'''Friday, May 9''': Counting Crows’ “Miami.” ''The bus is running / It’s time to leave / This summer’s gone / And so are we / So come on baby, / Let’s go shut it down in New Orleans.''
==Friday, May 9==
{{c|Counting Crows}}’ “Miami.” ''The bus is running / It’s time to leave / This summer’s gone / And so are we / So come on baby, / Let’s go shut it down in New Orleans.''


{{2003|state=auto}}
{{2003|state=auto}}
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[[Category:05/2003]]
[[Category:05/2003]]
[[Category:Travel]]
[[Category:Travel]]
[[Category:Music]]
[[Category:Chuck Mangione]]
[[Category:Counting Crows]]
[[Category:Dave Matthews Band]]
[[Category:Donald Fagen]]
[[Category:Toad the Wet Sprocket]]

Latest revision as of 16:31, 2 January 2025

Florida 2003 Soundtrack

All very predictable, if you know me, but fun nonetheless.

Thursday, May 1

Chuck Mangione’s “Bellavia” and “Doing Everything With You.”

Friday, May 2 through Sunday (afternoon), May 4

Silence, like Dante meeting God.

OK, if I have to pick, maybe Led Zeppelin’s “Friends” or Toad’s “Eyes Open Wide” Nah. Silence is better, even than Zep this time.

Sunday, May 4

(Evening): Coldplay’s “Trouble.” Also, David gave me some new jazz, most loungy and acidy. I’ve only listened to select bits so far, but it went down well with the beer and pizza.

Monday, May 5

Donald Fagen’s “Walk between the Raindrops.” Also, Monday night would have to be the Police’s “The Bed’s too Big without You.” Though I don’t have a copy of this song with me, I was whistling it all evening and on into Tuesday. It has a reggae feel to it, like much of the Police’s early stuff. Must be something about the atmosphere.

Wednesday, May 7

—on a morning drive into Tampa: Coldplay’s “Shiver.” Totally inappropriate, prompting laughs and ridicule. From the moment I wake, to the moment I sleep, I’ll be there by your side. Just you try and stop me. BANG! Magnum. Thanks, granddad.

Thursday, May 8

The Samples’ “Losing End of Distance.” Running this morning in the strong Florida sun, I thought of my departure tomorrow. Seeming to sense this, my iPod chose an appropriate song. Perhaps a bit more maudlin and 18-year-old-romantic (or is that the 16-year-old inside me?) to be an accurate expression of my feelings, but the imagery is cool: From the bottom of the oceans, to the mountains of the moon. The song has a reggae syncopated upbeat that unpredictably mixes well with the subject of loss, as if hope exists in the looking.

As soon as I stopped my run and decided to walk a bit more on the beach, DMB’s “Crash” began on the iPod. I feel the waves come crash into me. The confusion of passion and violence also seemed awkwardly apropos for this morning’s beach walk. Plenty of water and wave imagery mixed with my increasing realization of all good things. . . .

Friday, May 9

Counting Crows’ “Miami.” The bus is running / It’s time to leave / This summer’s gone / And so are we / So come on baby, / Let’s go shut it down in New Orleans.