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...d gone by, but that still life must be fought out to the end” (quoted in {{harvnb|Ricks|1989|p=113}}). The figure of Odysseus, the hero of Homer’s ''Odysse ...ctim of a life-weariness, an ''ennui'' that cannot be cured by idleness ({{harvnb|Ricks|1989|pp=114–115}}).}} {{ln|5}}

...ter only able to recall “some vague and dim recollection” of the vision ({{harvnb|Abrams|1986|p=353}}). }} }} ...aspects of the pleasure dome—even maybe threatening its very existence ({{harvnb|Perry|2015}}). }}

...sserts, “normality and suffering coexist and may indeed be inseparable” ({{harvnb|Emig|2000|p=129}}).}} how well, they understood

...up she mixed a drink for me, / adding the drug—she hoped to do me harm” ({{harvnb|Homer|2018|loc=10.316–317}}). I have not read Watson’s translation yet,

...ecision, albeit risky, to walk a different beat—the song is in 7/4 time ({{harvnb|Unterberger|2017}}).<br />{{Sp}}I guess this song feels personal to me righ

** See {{harvnb|Wade|2019|}} on the importance of Mailer’s account of “the curious art ...{{sfn|Mailer|2003|p=91}} (Also see {{harvnb|Mailer|2004|pp=558–559}} and {{harvnb|Mailer|Mailer|2006|p=7}}.)

...sts and often depends on violence, particularly that of a sexual nature ({{harvnb|Nersessian|2021|p=49}}). Ovid confronts this relationship between art and v ...m about bodies changed is also a poem about what having a body changes” ({{harvnb|Nersessian|2021|p=54}}). I can’t help, too, but think of Enkidu’s curse

...ref=harv }}</ref>  — distrust of conformity and group consciousness;<ref>{{harvnb|Butler|2010|p=55}}; {{cite book |last=Whitworth |first=Michael W. |date=200 ...''' represents an artistic ordering<ref>{{harvnb|Butler|2010|pp=57–58}}; {{harvnb|Whitworth|2008|p=7}}.</ref>  —  grand narratives are gone or reinterp

...ia of the unlived life” that taunts those who lack drive or imagination ({{harvnb|Bloom|2001|p=10}}).}} <br /> ...“poised between a blessed vision of unity and the catastrophe of chaos” ({{harvnb|Perry|2010|p=148}}).}}

...of ''Lipton’s'' and one he continues to explore in subsequent works (see {{harvnb|Lennon|Mailer|Lucas|2020}}).}} The former he likens to the forces that regu ...018|p=335}}{{efn|“Love Buds” was printed for the first time in 2017, see {{harvnb|Mailer|2013}}.}} Both stories concern two friends visiting a whorehouse, bu