ENGL 2122/Fall 2021/Schedule: Difference between revisions

From Gerald R. Lucas
m (Additions. Should I have intros to all major periods?)
(Updated syllabus.)
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! {{date|October 7}}  
! {{date|October 7}}  
| [[File:1794 William Blake Songs of Innocence.jpg|thumb]]'''William Blake''' {{bulleted list|From ''Songs of Innocence'': {{bulleted list|“Introduction”|“The Lamb”|“The Little Black Boy”|“The Chimney Sweeper”|“The Divine Image”}} |From ''Songs of Experience'': {{bulleted list|“Introduction”|“The Chimney Sweeper”|“The Tyger”|“The Sick Rose”|“London”}} }}
| [[File:1794 William Blake Songs of Innocence.jpg|thumb]]'''William Blake''' {{bulleted list|From ''Songs of Innocence'': {{bulleted list|“Introduction”|“The Lamb”|“The Little Black Boy”|“The Chimney Sweeper”|“The Divine Image”}} |From ''Songs of Experience'': {{bulleted list|“Introduction”|“The Chimney Sweeper”|“The Tyger”|“The Sick Rose”|“London”}}|Respond: Compare two poems, one from the ''Songs of Innocence'' and one from the ''Songs of Experience''. }}
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! {{date|October 8}}  
! {{date|October 8}}  
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! {{date|October 12}}  
! {{date|October 12}}  
| '''Test #1''' {{bulleted list|Take the Test }}
| '''Test #1''' and '''Response'''
|-
|-
| colspan="2" style="background-color:#d4e6f1; text-align:center;" | {{font|font=Alegreya Sans SC|size=24px|The Late Romantic Period}}
| colspan="2" style="background-color:#d4e6f1; text-align:center;" | {{font|font=Alegreya Sans SC|size=24px|The Late Romantic Period}}
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! {{date|October 15}}  
! {{date|October 15}}  
| [[File:John Keats, portrait by Joseph Severn.jpg|Joseph Severn, ''Portrait of John Keats''|thumb]]'''John Keats''' {{bulleted list|“On First Looking into Chapman’s Homer”|“La Belle Dame Sans Merci”|“When I have fears that I may cease to be”|“Ode to a Nightingale”|“Ode to a Grecian Urn”}}
| [[File:John Keats, portrait by Joseph Severn.jpg|Joseph Severn, ''Portrait of John Keats''|thumb]]'''John Keats''' {{bulleted list|“[[June 9, 2021|On First Looking into Chapman’s Homer]]”|“La Belle Dame Sans Merci”|“When I have fears that I may cease to be”|“Ode to a Nightingale”|“Ode to a Grecian Urn”}}
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! {{date|October 18}}  
! {{date|October 18}}  
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! {{date|October 19}}  
! {{date|October 19}}  
| '''Test #2'''
| '''Test #2''' and '''Response'''
|-
|-
| colspan="2" style="background-color:#d4efdf; text-align:center;" | {{font|font=Alegreya Sans SC|size=24px|The Victorian Period}}
| colspan="2" style="background-color:#d4efdf; text-align:center;" | {{font|font=Alegreya Sans SC|size=24px|The Victorian Period}}
|-
|-
! {{date|October 20}}  
! {{date|October 20}}  
| [[File:Lady of Shalott.jpg|Waterhouse, ''The Lady of Shalott''|thumb]]'''Alfred, Lord Tennyson''' {{bulleted list|“The Lady of Shalott”|“The Lotos-Eaters”|“Ulysses”}} '''Gerard Manley Hopkins''' {{bulleted list|“God’s Grandeur”|“The Windhover”}}
| '''Introduction to Victorian Literature''' {{bulleted list|Editor’s Introduction, pp. 527–551|Respond: Based on your reading, identify the five most important characteristics that define the Victorian Age. Who are the major figures? Major works? What should readers look for in the work?}}
|-
|-
! {{date|October 21}}  
! {{date|October 21}}  
| '''Robert Browning''' {{bulleted list|“My Last Duchess”|“Porphyria’s Lover” }} '''Matthew Arnold''' {{bulleted list|“Dover Beach”|From ''The Study of Poetry'' }} '''Christina Rossetti''' {{bulleted list|“Goblin Market”}}  
| [[File:Lady of Shalott.jpg|Waterhouse, ''The Lady of Shalott''|thumb]]'''Alfred, Lord Tennyson''' {{bulleted list|“The Lady of Shalott”|“The Lotos-Eaters”|“Ulysses”}} '''Gerard Manley Hopkins''' {{bulleted list|“God’s Grandeur”|“The Windhover”}}
|-
|-
! {{date|October 22}}  
! {{date|October 22}}  
| '''Rudyard Kipling''' {{bulleted list|“The White Man’s Burden”}}
| '''Robert Browning''' {{bulleted list|“My Last Duchess”|“Porphyria’s Lover” }} '''Matthew Arnold''' {{bulleted list|“Dover Beach”|From ''The Study of Poetry'' }} '''Christina Rossetti''' {{bulleted list|“Goblin Market”}}  
|-
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! {{date|October 25}}  
! {{date|October 25}}  
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! {{date|October 26}}  
! {{date|October 26}}  
| '''Test #3'''
| '''Test #3''' and '''Response'''
|-
|-
| colspan="2" style="background-color:#fcf3cf; text-align:center;" | {{font|font=Alegreya Sans SC|size=24px|The Edwardian Period / World War I}}
| colspan="2" style="background-color:#fcf3cf; text-align:center;" | {{font|font=Alegreya Sans SC|size=24px|Victorian / Edwardian / World War I}}
|-
|-
! {{date|October 27}}  
! {{date|October 27}}  
| '''Thomas Hardy''' {{bulleted list|. . . }}
| '''Introduction to the Twentieth Century''' {{bulleted list|Editor’s Introduction, pp. 1015–1042|Respond: Based on your reading, identify the five most important characteristics that define the the turn of the century’s trends in literature. Who are the major figures? Major works? What should readers look for in works of this period?}}
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! {{date|October 28}}  
! {{date|October 28}}  
| '''E. M. Forster''' {{bulleted list|“The Machine Stops”|“Tolerance”}}
| '''Rudyard Kipling''' {{bulleted list|“The Man Who Would Be King”}}
|-
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! {{date|October 29}}  
! {{date|October 29}}  
| '''James Joyce''' {{bulleted list|“Araby”}}
| '''E. M. Forster''' {{bulleted list|“The Machine Stops”|“[[August 7, 2021|Tolerance]]”}} '''James Joyce''' {{bulleted list|“Araby”}}
|-
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! {{date|November 1}}  
! {{date|November 1}}  
| '''Rupert Brooke''' {{bulleted list|“The Soldier”}} '''Edward Thomas''' {{bulleted list|“Adlestrop”|“Tears”|“The Owl”|“Rain”|“The Cherry Trees”|“As the Team’s Head Brass”}} '''Siegfried Sassoon''' {{bulleted list|“They”|“The Rear Guard”|“The General”|“Glory of Women”}} '''Wilfred Owen''' {{bulleted list|“Anthem for a Doomed Youth”|“Dulce Et Decorum Est”|“Apologia Pro Poemate Meo”}}  
| '''Rupert Brooke''' {{bulleted list|“The Soldier”}} '''Siegfried Sassoon''' {{bulleted list |[[lw:“They”|‘They’]]”|“[[lw:The Rear Guard|The Rear Guard]]”|“[[lw:The General|The General]]”|“[[lw:Glory of Women|Glory of Women]]”}} '''Wilfred Owen''' {{bulleted list|“Anthem for a Doomed Youth”|“Dulce Et Decorum Est”|“Apologia Pro Poemate Meo”}}  
|-
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! {{date|November 2}}  
! {{date|November 2}}  
| '''Test #4'''
| '''Test #4''' and '''Response'''
|-
|-
| colspan="2" style="background-color:#fae5d3; text-align:center;" | {{font|font=Alegreya Sans SC|size=24px|Modernism}}
| colspan="2" style="background-color:#fae5d3; text-align:center;" | {{font|font=Alegreya Sans SC|size=24px|Modernism}}
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! {{date|Nov 5}}{{refn|Withdrawal deadline.}}
! {{date|Nov 5}}{{refn|Withdrawal deadline.}}
| '''W. H. Auden''' {{bulleted list|“Musée des Beaux Arts”}} '''Dylan Thomas''' {{bulleted list|“Do Not Go Gentle into that Good”}}
| '''W. H. Auden''' {{bulleted list|“Musée des Beaux Arts”}} '''Dylan Thomas''' {{bulleted list|“Do Not Go Gentle into that Good Night”}}
|-
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! {{date|Nov 8}}  
! {{date|Nov 8}}  
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! {{date|Nov 9}}  
! {{date|Nov 9}}  
| '''Test #5'''
| '''Test #5''' and '''Response'''
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|-
| colspan="2" style="background-color:#e8daef; text-align:center;" | {{font|font=Alegreya Sans SC|size=24px|World War II / Postmodernism}}
| colspan="2" style="background-color:#e8daef; text-align:center;" | {{font|font=Alegreya Sans SC|size=24px|World War II / Postmodernism}}
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! {{date|Nov 10}}  
! {{date|Nov 10}}  
| '''Philip Larkin''' {{bulleted list|“[[May 15, 1996|The Mower]]”|“Talking in Bed”}}
| '''Philip Larkin''' {{bulleted list|“[[May 15, 1996|The Mower]]”|“Talking in Bed”}} '''Seamus Heany''' {{bulleted list|“Digging”|“Clearances”|“Punishment”|“The Skunk” }}
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! {{date|Nov 11}}  
! {{date|Nov 11}}  
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! {{date|Nov 12}}  
! {{date|Nov 12}}  
| '''. . .''' {{bulleted list|. . . }}
| '''Margaret Atwood''' {{bulleted list|“Death by Landscape” }}
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! {{date|Nov 15}}  
! {{date|Nov 15}}  
| '''. . .''' {{bulleted list|. . . }}
| '''Salman Rushdie''' {{bulleted list|“The Prophet’s Hair”}}
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! {{date|Nov 29}}  
! {{date|Nov 29}}  
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! {{date|Nov 30}}  
! {{date|Nov 30}}  
| '''Test #6'''
| '''Test #6''' and '''Response'''
|}
|}



Revision as of 07:24, 10 August 2021

This schedule represents the ideal outline for our study this semester. Yet, like all best-laid plans, we may not be able to keep up with our agenda. Please be flexible and try to look and read ahead whenever possible.

We will do our best to stick by this schedule, but I will inform you verbally, via an email, and/or a literal change to the schedule below whenever there is a deviation. Getting these updates is solely your responsibility. Therefore, this schedule is tentative and subject to change contingent upon the needs of the students and the professor, and dictated by time and other constraints which may affect the course. For face-to-face classes, this schedule reflects only an overview of the assigned reading and other major course assignments. It may not indicate specific class session assignments or activities. Specific in-class assignments may not be reflected on the schedule.

Gustave_Wappers_-_Épisode_des_Journées_de_septembre_1830_sur_la_place_de_l'Hôtel_de_Ville_de_Bruxelles

Each week of this class has its own unit or lesson corresponding to a literary movement. Each week is divided into daily work that contain readings (with the occasional reading quiz) and writing. Each week concludes with a test on the materials covered. The following is a general overview of the schedule.

Date Assignment
The Early Romantic Period
6 October
Friedrich, Two Men Contemplating the Moon
Introduction to Romanticism
  • Romanticism: Revolt of the Spirit
  • Editor’s Introduction, pp. 3–30
  • Respond: Based on your reading, identify the five most important characteristics that define the Romantic Age. Who are the major figures? Major works? What should readers look for in the work?
7 October
1794 William Blake Songs of Innocence.jpg
William Blake
  • From Songs of Innocence:
    • “Introduction”
    • “The Lamb”
    • “The Little Black Boy”
    • “The Chimney Sweeper”
    • “The Divine Image”
  • From Songs of Experience:
    • “Introduction”
    • “The Chimney Sweeper”
    • “The Tyger”
    • “The Sick Rose”
    • “London”
  • Respond: Compare two poems, one from the Songs of Innocence and one from the Songs of Experience.
8 October
Ashford, Tintern Abbey
William Wordsworth
  • “Lines Composed a Few Miles above Tintern Abbey”
  • “I wandered lonely as a cloud”
  • “I travelled among unknown men”
  • “The World is too much with us”
Samuel Taylor Coleridge
  • “The Rime of the Ancient Mariner”
  • “Kubla Khan”
  • “Christabel”
  • “Dejection: An Ode”
11 October Mary Wollstonecraft Shelley
  • from A Vindication on the Rights of Women
12 October Test #1 and Response
The Late Romantic Period
13 October George Gordon, Lord Byron
  • “She Walks in Beauty”
  • “Darkness”
14 October Percy Bysshe Shelley
  • “Ozymandias”
  • “To a Sky-Lark”
15 October
Joseph Severn, Portrait of John Keats
John Keats
18 October Elizabeth Barrett Browning
  • Selections from Sonnets from the Portuguese
19 October Test #2 and Response
The Victorian Period
20 October Introduction to Victorian Literature
  • Editor’s Introduction, pp. 527–551
  • Respond: Based on your reading, identify the five most important characteristics that define the Victorian Age. Who are the major figures? Major works? What should readers look for in the work?
21 October
Waterhouse, The Lady of Shalott
Alfred, Lord Tennyson
  • “The Lady of Shalott”
  • “The Lotos-Eaters”
  • “Ulysses”
Gerard Manley Hopkins
  • “God’s Grandeur”
  • “The Windhover”
22 October Robert Browning
  • “My Last Duchess”
  • “Porphyria’s Lover”
Matthew Arnold
  • “Dover Beach”
  • From The Study of Poetry
Christina Rossetti
  • “Goblin Market”
25 October Oscar Wilde
  • The Importance of Being Earnest
26 October Test #3 and Response
Victorian / Edwardian / World War I
27 October Introduction to the Twentieth Century
  • Editor’s Introduction, pp. 1015–1042
  • Respond: Based on your reading, identify the five most important characteristics that define the the turn of the century’s trends in literature. Who are the major figures? Major works? What should readers look for in works of this period?
28 October Rudyard Kipling
  • “The Man Who Would Be King”
29 October E. M. Forster
James Joyce
  • “Araby”
1 November Rupert Brooke
  • “The Soldier”
Siegfried Sassoon Wilfred Owen
  • “Anthem for a Doomed Youth”
  • “Dulce Et Decorum Est”
  • “Apologia Pro Poemate Meo”
2 November Test #4 and Response
Modernism
3 November[1]
Hulewicz, Leda and the Swan (1928)
William Butler Yeats
  • “Leda and the Swan”
  • “The Second Coming”
  • “Sailing to Byzantium”
4 November T. S. Eliot
  • “The Love Song of J. Alfred Prufrock”
5 November[2] W. H. Auden
  • “Musée des Beaux Arts”
Dylan Thomas
  • “Do Not Go Gentle into that Good Night”
8 November Virginia Woolf
  • “A Room of One’s Own”
9 November Test #5 and Response
World War II / Postmodernism
10 November Philip Larkin
Seamus Heany
  • “Digging”
  • “Clearances”
  • “Punishment”
  • “The Skunk”
11 November Nadine Gordimer
  • “The Moment before the Gun Went Off”
12 November Margaret Atwood
  • “Death by Landscape”
15 November Salman Rushdie
  • “The Prophet’s Hair”
29 November Ishiguro
  • The Remains of the Day
30 November Test #6 and Response



notes

  1. Midterm grades due.
  2. Withdrawal deadline.
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