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{{dc|G}}{{start|reek tragedy is one of the most important genres}} in the history of literature and drama, and it has had a profound impact on Western culture. Tragedy, '''''tragoidos''''' or “goat-song,” originated in ancient Greece in the 5th century BCE and was typically performed during religious festivals in honor of the god Dionysus. The plays were written and performed by male actors, and they usually focused on myths and legends from Greek mythology. Greek tragedies were typically performed in a single day and in a single location, with a focus on a single dramatic action. This convention is known as the '''unity of time, place, and action''' and helped to create a sense of tension and immediacy. The three most famous Greek tragedians were Aeschylus, Sophocles, and Euripides, and their works are still studied and performed today.
[[File:Oedipus-the-wayfarer.jpg|thumb|500px|''Oedipus the Wayfarer'' by Gustave Moreau (1888)]]
One of the key conventions of Greek tragedy is the use of a '''chorus'''. The chorus was a group of actors who would sing and dance, commenting on the action of the play and offering moral and ethical judgments. The chorus was an essential part of Greek tragedy, and it helped to create a sense of community and shared experience among the audience.

Actors in Greek tragedy wore masks that allowed them to play multiple roles and helped to amplify their voices in the large outdoor theaters where the plays were performed. The masks also helped to create a sense of distance between the actors and the audience.

The central protagonist, or the '''tragic hero''', was a character who was typically of high rank or status, but who is brought down by their own '''''hamartia''''', a character trait or “tragic flaw” that leads to their downfall. For example, in Sophocles’ tragedy ''Oedipus Rex'', the ''hamartia'' of the tragic hero Oedipus is his pride and his belief in his own intelligence. This leads him to ignore warnings and to make decisions that ultimately lead to his tragic fate. ''hamartia'' creates a sense of inevitability and helps to drive the plot. It also helps to make the tragic hero more relatable to the audience, as they see in them their own human frailties and flaws. Because of this flaw, the tragic hero was often a sympathetic character, and the audience was meant to feel both pity and fear for him or her.

'''''Peripeteia''''' or reversal of fortune, another key convention of Greek tragedy, occurs when a character experiences a sudden and dramatic change in their circumstances, often as a result of their ''hamartia''. In ''Oedipus Rex'', the revelation that Oedipus has unwittingly fulfilled a prophecy by killing his father and marrying his mother leads to a dramatic reversal of his fortunes.

Similarly, '''''anagnorisis''''' refers to a moment when a character suddenly realizes the truth about themselves or their situation, leading to a profound change in their understanding of the world. [[w:Aristotle|Aristotle]] defines ''anagnorisis'' as a recognition, or “a change from ignorance to knowledge, producing love or hate between the persons destined by the poet for good or bad fortune.” ''Anagnorisis'' often works in tandem with the concept of ''hamartia''. The recognition of one’s own flaw or the tragic situation they are in leads to the character’s downfall or tragic fate. For example, in Sophocles’ ''Oedipus Rex'', Oedipus realizes his tragic fate when he discovers that he has unwittingly fulfilled a prophecy by killing his father and marrying his mother. This realization leads to his downfall. 
{{quote box|title=Overview|width=60%|General characteristics of [[w:Greek tragedy|Greek tragedy]] include (concepts linked to Wikipedia for more detailed overview): {{bulleted list
   | Originated in ancient Greece in the 5th century BCE;
   | Typically performed during festivals honoring the god [[w:Dionysus|Dionysus]], ''tragoidos'' means “goat-song”;
   | Written in verse (poetry) and in a dramatic form, operatic & metrical;
   | Features a tragic hero or heroine who experiences a sudden and catastrophic fall; 
   | The tragic hero is a person of high status, like a king, so his/her actions are consequential;
   | The tragic hero or heroine is not eminently good or noble, but a mean between goodness and depravity;
   | The tragic hero has a tragic flaw or ''[[w:Hamartia|hamartia]]'';
   | The tragic hero or heroine experiences a moment of ''[[w:Anagnorisis|anagnorisis]]'', or realization;
   | The tragic hero meets his/her fate bravely, usually death;
   | The plot includes a reversal of fortune or ''[[w:Peripeteia|peripeteia]]'';
   | The audience experiences ''[[w:Catharsis|catharsis]]'', or emotional release;
   | Often deals with themes such as [[w:Destiny|fate]], divine will, and the struggle between individual desire and societal expectations, making the tragedy implicitly political;
   | Features the use of the [[w:Greek chorus|chorus]], which serves as a voice for the community and provides commentary on the action.}} }}
'''''Mimesis''''', or the imitation or representation of reality in art, is also central to Greek tragedy in several ways. The tragedies were written to depict events that were grounded in reality, often drawing from myths, legends, and historical events. This allowed the audience to connect with the story and characters on a deeper level, as they were rooted in familiar cultural contexts. The actors in Greek Tragedy used mimesis to bring their characters to life. They employed physical gestures, vocal inflections, and masks to convey the emotions, thoughts, and personalities of the characters they played. This heightened the sense of realism and created a powerful connection between the audience and the characters.

The actions of the tragedy lead to '''''catharsis''''', the emotional release and purification that the audience experiences through the tragic events of the play, is another important element of Greek tragedy. The audience is meant to feel a sense of empathy with the tragic hero, experiencing their suffering and gaining a greater understanding of the human condition. ''Mimesis'' was integral to the cathartic effect of Greek tragedy. The tragedies often dealt with heavy, emotional themes and events, such as death, betrayal, and suffering. By seeing these events depicted on stage, the audience was able to experience a release of these emotions in a safe, controlled environment. This allowed them to process and make sense of difficult emotions in a way that was both powerful and transformative.

The use of '''fate or destiny''' are also important in Greek tragedy. The characters in the plays were often subject to the whims of the gods, and their actions were seen as part of a larger cosmic plan, even if that plan was unknown to the participants. The idea of fate or destiny added a sense of inevitability to the plays, and it created a sense of tension and drama as the characters struggled to overcome their preordained fate. The struggle between fate and free will in the tragedies seemed to suggest that the universe is not perfectly ordered and is often absurd leading to the death of great people and teh triumph of mediocrity.

Greek tragedy is also known for its use of '''symbolism''' and '''metaphor'''. The plays were often filled with imagery and symbolism drawn from Greek mythology and culture, and these symbols were used to explore deeper themes and ideas. For example, the symbol of the ''Oresteia'', a trilogy of plays by Aeschylus, was the curse of the house of Atreus, which was passed down from generation to generation.

The lasting impact of Greek tragedy on Western culture is undeniable. The plays have influenced countless writers and artists throughout the centuries, and they continue to be studied and performed today. The conventions of Greek tragedy have also been adopted by other cultures and genres, from Shakespearean tragedies to modern-day television dramas. Studying Greek tragedy is an essential part of understanding the history and development of literature and drama.

{{Tragedy}}
[[Category:Tragedy]]