New Media Suggested Reading and Viewing: Difference between revisions

From Gerald R. Lucas
(→‎Fiction: Added "Deep Eddy".)
Line 124: Line 124:
* {{cite news |last=Pogue |first=David |date=December 17, 2009 |title=Should E-Books Be Protected? |url=https://pogue.blogs.nytimes.com/2009/12/17/should-e-books-be-copy-protected/ |work=The New York Times |location=Pogue's Posts |access-date=2018-08-18 |author-link=David Pogue }}
* {{cite news |last=Pogue |first=David |date=December 17, 2009 |title=Should E-Books Be Protected? |url=https://pogue.blogs.nytimes.com/2009/12/17/should-e-books-be-copy-protected/ |work=The New York Times |location=Pogue's Posts |access-date=2018-08-18 |author-link=David Pogue }}
* {{cite web |url=http://www.wipo.int/wipo_magazine/en/2015/03/article_0006.html |title=Remix Culture and Amateur Creativity: A Copyright Dilemma |last=Rostama |first=Guilda |date=June 2015 |website=WIPO |publisher= |access-date=2018-08-18 |quote=A brief glance at human history reveals that [remix] is in fact nothing new. |ref=harv }}
* {{cite web |url=http://www.wipo.int/wipo_magazine/en/2015/03/article_0006.html |title=Remix Culture and Amateur Creativity: A Copyright Dilemma |last=Rostama |first=Guilda |date=June 2015 |website=WIPO |publisher= |access-date=2018-08-18 |quote=A brief glance at human history reveals that [remix] is in fact nothing new. |ref=harv }}
* {{cite book |last=Shirky |first=Clay |date=2012 |title=Cognitive Surplus |url=https://archive.org/details/cognitivesurplus00shir_1 |location=East Rutherford |publisher=Penguin |page= |isbn=9781594202537 |author-link=Clay Shirky |ref=harv }}
* {{cite book |last=Shirky |first=Clay |date=2012 |title=Cognitive Surplus |url=https://archive.org/details/cognitivesurplus00shir_1 |location=East Rutherford |publisher=Penguin |page= |isbn=9781594202537 |ref=harv }}
* {{cite book |last=Shirky |first=Clay |date=2009 |title=Here Comes Everybody: The Power of Organizing Without Organizations |url=https://books.google.com/books?id=UNxU-2s2sQYC |location=New York |publisher=Penguin |page= |isbn=1440632243 |author-mask=1 |ref=harv }}
* {{cite book |last=Shirky |first=Clay |date=2009 |title=Here Comes Everybody: The Power of Organizing Without Organizations |url=https://books.google.com/books?id=UNxU-2s2sQYC |location=New York |publisher=Penguin |page= |isbn=1440632243 |author-mask=1 |ref=harv }}



Revision as of 07:33, 4 January 2019

An annotated bibliography for the study of new media compiled for my NMAC 4460 course.

This collection of essays, articles, videos, and fiction explore the many facets of "new media". Use these suggestions as a basis for your investigation into these various topics that make up our current understanding of new media. This is an on-going project, so if you have suggestions for articles to include, please suggest them on the talk page or below.[a]

Anthologies

  • Gray, Chris Hables; Mentor, Steven; Figueroa-Sarriera, Heidi J., eds. (1995). The Cyborg Handbook. New York: Routledge. ISBN 0415908493.
  • Spiller, Neil, ed. (2002). Cyber Reader: Critical Writing for the Digital Era. Phaidon Press. ISBN 0714840718.
  • Wardrip-Fruin, Noah; Harrigan, Pat, eds. (2004). First Person: New Media as Story, Performance, and Game. Cambridge: MIT Press. ISBN 0262232324.
  • Wardrip-Fruin, Noah; Montfort, Nick, eds. (2003). The New Media Reader. Cambridge: The MIT Press. ISBN 0262232278.[b]

Defining New Media

  • Lucas, Gerald (Dec 23, 2013). "New Media". LitMUSE. Medium. Retrieved 2018-08-12. New media studies involve the digital technologies of human participation and communication, and the study of the social and cultural changes that these technologies precipitate. Includes presentation slides and audio.
  • Manovich, Lev. "New Media from Borges to HTML" (PDF). In Wardrip-Fruin; Montfort. NMR. p. 13–25. Retrieved 2018-08-11.
  • Murray, Janet H. "Inventing the Medium". In Wardrip-Fruin; Montfort. NMR. p. 3–11.
  • Spiller, Neil (2002). "Introduction". In Spiller. Cyber Reader. p. 6–19.

Fiction

  • Borges, Jorge Luis (1945). "The Aleph" (PDF). Sur. Translated by Di Giovanni, Norman Thomas. Buenos Aires.
  • — (1941). "The Garden of the Forking Paths". In Wardrip-Fruin; Montfort. NMR. Translated by Yates, Donald A. p. 29–34.
  • — (1998) [1941]. "The Library of Babel" (PDF). Collected Fictions. Translated by Hurley, Andrew. New York: Penguin. p. 112–118. ISBN 0670849707.
  • Forster, E. M. (1909). "The Machine Stops". NCSA. Retrieved 2018-08-18. Paul Rajlich states: "Anybody who uses the Internet should read E. M. Forster's 'The Machine Stops'. It is a chilling, short story masterpiece about the role of technology in our lives. Written in 1909, it's as relevant today as the day it was published."
  • Liu, Ken (October 2001). "Staying Behind". Clarkesworld. Issue 61. Retrieved 2018-08-18. Audio version available.
  • Stephenson, Neal (1992). Snow Crash. New York: Bantam Books. ISBN 0553562614.
  • Sterling, Bruce (1999). "Deep Eddy". A Good Old-fashioned Future. New York: Spectra. pp. 141–187. In this techno-allegory, spec-wearing Eddy travels to Europe on a quest for love and enlightenment.
  • — (1999). "Maneki Neko". A Good Old-fashioned Future. pp. 1–19. A god-like, network panopticon guides the action in this near-future tale, but all people are not happy with its beneficence.

Foundational and Transitional Thinking

Artificial Intelligence, Machine Learning, and Advanced Computing

Being Digital: Revolution and Democracy

Cyberdrama & Ludology

Cyberspace, VR/RL, Augmented Reality

Cyborg(ology), Transhumanism, Posthumanism

Digital Humanities

  • Kirschenbaum, Matthew G. (2010). "What Is Digital Humanities and What's It Doing in English Departments?" (PDF). ADE Bulletin (150). Retrieved 2018-08-22. [DH] harbors networks of people who have been working together, sharing research, arguing, competing, and collaborating for many years.... a culture that values collaboration, openness, nonhierarchical relations, and agility.
  • Lucas, Gerald (September 3, 2013). "Defining Digital Humanities". Digital Humanities. Medium. Retrieved 2018-08-19. DH stands at the intersection of art and science; it makes technology explicit in our understanding and interpretation of culture. DH makes clear that the humanities and technology are inseparable.
  • Presner, Todd; Schnapp, Jeffrey; Lunenfeld, Peter (June 22, 2009). "The Digital Humanities Manifesto" (PDF). Todd Presner. 2.0. Retrieved 2018-08-22.

HCI, Information Architecture, Hypertext, and the (e)Book

How does the digital influence the way we think? Or, is the medium truly the message?

  • Coover, Robert (1992). "The End of Books". In Wardrip-Fruin; Montfort. NMR. p. 705–709.
  • Harris, Tristan (May 18, 2016). "How Technology is Hijacking Your Mind — from a Magician and Google Design Ethicist". Thrive Global. Medium. Retrieved 2018-08-16. When using technology, we often focus optimistically on all the things it does for us. But I want to show you where it might do the opposite.
  • Lucas, Gerald R. (Fall 2011). "Norman Mailer and the Novel 2.0". The Mailer Review. 5 (1): 248–263.
  • Moulthrop, Stuart (1991). "You Say You Want a Revolution? Hypertext and the Laws of Media". In Wardrip-Fruin; Montfort. NMR. p. 691–704.
  • Rosenberg, Scott (April 11, 2017). "How Google Book Search Got Lost". Wired. Backchannel. Retrieved 2018-08-16.
  • Winner, Langdon (1986). "Mythinformation". In Wardrip-Fruin; Montfort. NMR. p. 587–598.

Open Source, Free, and Proprietary Software

Software and code determines how we work and play.

Participatory Culture & IP

Issues in open, free, and proprietary culture and its creation and consumption.

Privacy and Security

The Future & the Singularity

Social / Cultural / Educational Media

Notes

  1. I try to link all sources if they are available online, even if the reference points to a book.
  2. NMR refers to Wardrip-Fruin and Montfort. If an online version is available, I will supply the direct link. Other references are linked directly.

References


Catgeory:New Media