Modern Drama, Spring 2020/Schedule: Difference between revisions

From Gerald R. Lucas
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(Updates.)
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| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 3
| style="background-color:#F2F4F4; text-align: center; | 01/21
| style="background-color:#E1BEE7; text-align: center; | 01/21
| . . .
| [[w:August Strindberg|August Strindberg]]: ''[[w:Miss Julie|Miss Julie]]'' (1888)
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| style="background-color:#F2F4F4; text-align: center; | 01/23
| style="background-color:#DCEDC8; text-align: center; | 01/23
| . . .
| . . .
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| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 4
| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 4
| style="background-color:#F2F4F4; text-align: center; | 01/28
| style="background-color:#E1BEE7; text-align: center; | 01/28
| . . .
| Strindberg: ''Miss Julie'' (2)
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| style="background-color:#F2F4F4; text-align: center; | 01/30
| style="background-color:#DCEDC8; text-align: center; | 01/30
| . . .
| . . .
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| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 5
| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 5
| style="background-color:#F2F4F4; text-align: center; | 02/04
| style="background-color:#E1BEE7; text-align: center; | 02/04
| . . .
| [[w:Henrik Ibsen|Henrik Ibsen]]: ''[[w:Hedda Gabler|Hedda Gabler]]'' (1891)
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| style="background-color:#F2F4F4; text-align: center; | 02/06
| style="background-color:#DCEDC8; text-align: center; | 02/06
| . . .
| . . .
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| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 6
| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 6
| style="background-color:#F2F4F4; text-align: center; | 02/11
| style="background-color:#E1BEE7; text-align: center; | 02/11
| . . .
| Ibsen: ''Hedda Gabler'' (2)
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| style="background-color:#F2F4F4; text-align: center; | 02/13
| style="background-color:#DCEDC8; text-align: center; | 02/13
| . . .
| . . .
|-
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| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 7
| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 7
| style="background-color:#F2F4F4; text-align: center; | 02/18
| style="background-color:#E1BEE7; text-align: center; | 02/18
| . . .
| [[w:Anton Chekhov|Anton Chekhov]]: ''[[w:The Cherry Orchard|The Cherry Orchard]]'' (1904)
|-
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| style="background-color:#F2F4F4; text-align: center; | 02/20
| style="background-color:#DCEDC8; text-align: center; | 02/20
| . . .
| . . .
|-
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| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 8
| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 8
| style="background-color:#F2F4F4; text-align: center; | 02/25
| style="background-color:#E1BEE7; text-align: center; | 02/25
| . . .
| Chekhov: ''The Cherry Orchard'' (2)
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| style="background-color:#F2F4F4; text-align: center; | 02/27
| style="background-color:#DCEDC8; text-align: center; | 02/27
| . . .
| . . .
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| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 9
| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 9
| style="background-color:#F2F4F4; text-align: center; | 03/03<ref>Midterm grades due.</ref>
| style="background-color:#E1BEE7; text-align: center; | 03/03<ref>Midterm grades due.</ref>
| . . .
| [[w:George Bernard Shaw|George Bernard Shaw]]: ''[[w:Pygmalion (play)|Pygmalion]]'' (1913)
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| style="background-color:#F2F4F4; text-align: center; | 03/05
| style="background-color:#DCEDC8; text-align: center; | 03/05
| . . .
| . . .
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| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 10
| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 10
| style="background-color:#F2F4F4; text-align: center; | 03/10<ref>Drop date: last day to withdraw with a “W.”</ref>
| style="background-color:#E1BEE7; text-align: center; | 03/10<ref>Drop date: last day to withdraw with a “W.”</ref>
| . . .
| Shaw: ''Pygmalion'' (2)
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| style="background-color:#F2F4F4; text-align: center; | 03/12
| style="background-color:#DCEDC8; text-align: center; | 03/12
| . . .
| . . .
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| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 12
| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 12
| style="background-color:#F2F4F4; text-align: center; | 03/24
| style="background-color:#E1BEE7; text-align: center; | 03/24
| . . .
| [[w:Susan Glaspell|Susan Glaspell]]: ''[[w:Trifles (play)|Trifles]]'' (1916)
|-
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| style="background-color:#F2F4F4; text-align: center; | 03/26
| style="background-color:#DCEDC8; text-align: center; | 03/26
| . . .
| . . .
|-
|-
| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 13
| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 13
| style="background-color:#F2F4F4; text-align: center; | 03/31
| style="background-color:#E1BEE7; text-align: center; | 03/31
| . . .
| [[w:Sophie Treadwell|Sophie Treadwell]]: ''[[w:Machinal|Machinal]]'' (1928)
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| style="background-color:#F2F4F4; text-align: center; | 04/02
| style="background-color:#DCEDC8; text-align: center; | 04/02
| . . .
| . . .
|-
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| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 14
| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 14
| style="background-color:#F2F4F4; text-align: center; | 04/07
| style="background-color:#E1BEE7; text-align: center; | 04/07
| . . .
| Treadwell: ''Machinal'' (2)
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| style="background-color:#F2F4F4; text-align: center; | 04/09
| style="background-color:#DCEDC8; text-align: center; | 04/09
| . . .
| . . .
|-
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| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 15
| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 15
| style="background-color:#F2F4F4; text-align: center; | 04/14
| style="background-color:#E1BEE7; text-align: center; | 04/14
| . . .
| [[w:Samuel Beckett|Samuel Beckett]]: ''[[w:Waiting for Godot|Waiting for Godot]]'' (1953)
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| style="background-color:#F2F4F4; text-align: center; | 04/16
| style="background-color:#DCEDC8; text-align: center; | 04/16
| . . .
| . . .
|-
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| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 16
| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 16
| style="background-color:#F2F4F4; text-align: center; | 04/21
| style="background-color:#E1BEE7; text-align: center; | 04/21
| . . .
| Beckett: ''Godot'' (2)
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| style="background-color:#F2F4F4; text-align: center; | 04/23
| style="background-color:#DCEDC8; text-align: center; | 04/23
| . . .
| . . .
|-
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| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 17
| rowspan="2" style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 17
| style="background-color:#F2F4F4; text-align: center; | 04/28
| style="background-color:#F2F4F4; text-align: center; | 04/28
| style="background-color:#FCF3CF;" rowspan="2" | Study and Make-up (No class).
| style="background-color:#FCF3CF;" rowspan="2" | Project Week (No class)
|-
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| style="background-color:#F2F4F4; text-align: center; | 04/30
| style="background-color:#F2F4F4; text-align: center; | 04/30
|-
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| style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 18
| style="background-color:#CCD1D1; text-align: center; font-weight:bold;" | 18
| style="background-color:#F2F4F4; text-align: center; | 05/-
| style="background-color:#F2F4F4; text-align: center; | 05/05
| style="background-color:#FADBD8" | Wikipedia Contribution (P1) Due.
| style="background-color:#FADBD8" | Project Due.
|}
|}



Revision as of 11:41, 19 December 2019

CRN 27081 engl 3900.02 tr 12:30–1:45 h-online coas-122 Spring 2020

This schedule represents the ideal outline for our study this semester. Yet, like all best-laid plans, we may not be able to keep up with our agenda. Please be flexible and try to look and read ahead whenever possible.

We will do our best to stick by this schedule, but I will inform you verbally, via an email, and/or a literal change to the schedule below whenever there is a deviation. Getting these updates is solely your responsibility. Therefore, this schedule is tentative and subject to change contingent upon the needs of the students and the professor, and dictated by time and other constraints which may affect the course. For face-to-face classes, this schedule reflects only an overview of the assigned reading and other major course assignments. It may not indicate specific class session assignments or activities. Specific in-class assignments may not be reflected on the schedule.

Death-salesman.jpg

All dates with a purple background are in-class meetings while those with a green background are online days.

1 01/07 -
01/09 . . .
2 01/14 Class Begins • Introduction
01/16 . . .
3 01/21 August Strindberg: Miss Julie (1888)
01/23 . . .
4 01/28 Strindberg: Miss Julie (2)
01/30 . . .
5 02/04 Henrik Ibsen: Hedda Gabler (1891)
02/06 . . .
6 02/11 Ibsen: Hedda Gabler (2)
02/13 . . .
7 02/18 Anton Chekhov: The Cherry Orchard (1904)
02/20 . . .
8 02/25 Chekhov: The Cherry Orchard (2)
02/27 . . .
9 03/03[1] George Bernard Shaw: Pygmalion (1913)
03/05 . . .
10 03/10[2] Shaw: Pygmalion (2)
03/12 . . .
11 03/17 Spring Break (No class)
03/19
12 03/24 Susan Glaspell: Trifles (1916)
03/26 . . .
13 03/31 Sophie Treadwell: Machinal (1928)
04/02 . . .
14 04/07 Treadwell: Machinal (2)
04/09 . . .
15 04/14 Samuel Beckett: Waiting for Godot (1953)
04/16 . . .
16 04/21 Beckett: Godot (2)
04/23 . . .
17 04/28 Project Week (No class)
04/30
18 05/05 Project Due.

Notes

  1. Midterm grades due.
  2. Drop date: last day to withdraw with a “W.”
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