ENGL 1102/Spring 2024/Schedule: Difference between revisions
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| {{date|Mar 11 & 12|none}}{{refn|Drop day in Wednesday, March 16, 2023.}} || Sipiora, Chapter 4 '''Ethical Criticism''' Introduction; Baldwin, “Sonny’s Blues” | | {{date|Mar 11 & 12|none}}{{refn|Drop day in Wednesday, March 16, 2023.}} || rowspan="2" | Sipiora, Chapter 4 '''Ethical Criticism''' Introduction; Baldwin, “Sonny’s Blues” | ||
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| {{date|Mar 13 & 14|none}} | | {{date|Mar 13 & 14|none}} | ||
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| {{date|Apr 1 & 2|none}} || | | {{date|Apr 1 & 2|none}} || No Class | ||
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| {{date|Apr 3 & 4|none}} || | | {{date|Apr 3 & 4|none}} || Sipiora, Chapter 3 '''Formalist Criticism''' Introduction; Poe, “The Cask of Amontillado” (in ch. 8) | ||
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| {{date|Apr 29 & 30|none}} || style="background-color: #fcf3cf;" | {{font|font=Alegreya Sans SC|Writing #4 on Wilson | | {{date|Apr 29 & 30|none}} || style="background-color: #fcf3cf;" | {{font|font=Alegreya Sans SC|Writing #4 on Wilson '''In-Class'''}}<br />{{Small|Bring a blue or black pen, a blue book (you may purchase these in the bookstore), a dictionary, and your ''purchased'' copy of the play.{{refn|I will only allow legal copies of the play: i.e., those purchased as [[ENGL 1102/Spring 2024/Requirements#Required Materials|required for the course]].}} }} | ||
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Latest revision as of 09:05, 23 April 2024
TL;DR: This schedule is tentative and subject to change. This is a digital document; do not print. Students are responsible for getting updates. |
This schedule represents the ideal outline for our study this semester. Yet, like all best-laid plans, we may not be able to keep up with our agenda. Please be flexible and try to look and read ahead whenever possible.
We will do our best to stick by this schedule, but I will inform you verbally, via an email, and/or a literal change to the schedule below whenever there is a deviation. Getting these updates is solely your responsibility. Therefore, this schedule is tentative and subject to change contingent upon the needs of the students and the professor, and dictated by time and other constraints which may affect the course. For face-to-face classes, this schedule reflects only an overview of the assigned reading and other major course assignments. It may not indicate specific class session assignments or activities. Specific in-class assignments may not be reflected on the schedule.
note: This schedule is for sections 21339 and 20288 of ENGL 1102. The former sections meets on Mondays & Wednesdays and the latter on Tuesdays & Thursdays. I include both dates below.
Week | Date | Assignments |
---|---|---|
1 | Jan 10 & 11 | Class Introduction |
2 | Jan 16 | Sipiora, Chapter 1[1] Introduction, including Fitzgerald, “Babylon Revisited” |
Jan 17 & 18 | ||
3 | Jan 22 & 23 | Sipiora, Chapter 2 Reader-Response Criticism, including Hemingway, “Indian Camp,” and Joyce, “Araby” |
Jan 24 & 25 | ||
4 | Jan 29 & 30 | Sipiora, Chapter 6 Cultural Criticism Introduction; London, “To Build a Fire” |
Jan 31 & Feb 1 | Poetry Day: The Smiths “Girlfriend in a Coma”; Wordsworth “The World Is too Much with Us” | |
5 | Feb 5 & 6 | Essay workshop Assignment: Bring two (2) printed rough drafts with you to class ready to share with your classmates. |
Feb 7 & 8 | Essay #1 Due on Deep Dives[2] | |
6 | Feb 12 & 13 | Library Orientation with Samantha Wilcox; Meet in library computer lab #2 |
Feb 14 & 15[3] | Poetry Day: Shakespeare “Sonnet 18” Assignment: Find two scholarly articles on Shakespeare’s “Sonnet 18” and read them. Summarize the main points of each article in a couple of sentences. List each article as you would on an MLA works cited page, including the summaries. Due next class, word-processed and printed. | |
7 | Feb 19 & 20 | Sipiora, Chapter 7 Feminist Criticism, including Chopin, “The Story of an Hour,” and Silko, “Yellow Woman” |
Feb 21 & 22 | Poetry Day: Dickinson “Because I Could Not Stop for Death” | |
8 | Feb 26 & 27 | Sipiora, Chapter 5 Civic Criticism Introduction; Vonnegut, “Harrison Bergeron” |
Feb 28 & 29 | Poetry Day: Donne “The Flea” Assignment: Work with your partner to research the poem and write about a page response or reading of it. Bring this to class next week for discussion and submission. | |
9 | Mar 4 & 5 | Essay workshop Assignment: Bring two (2) printed rough drafts with you to class ready to share with your classmates. |
Mar 6 & 7[4] | Essay #2 Due on Deep Dives | |
10 | Mar 11 & 12[5] | Sipiora, Chapter 4 Ethical Criticism Introduction; Baldwin, “Sonny’s Blues” |
Mar 13 & 14 | ||
11 | Mar 25 & 26 | Sipiora, Chapter 8 Psychological Criticism Introduction; Melville, Bartleby, the Scrivener |
Mar 27 & 28 | Poetry Day | |
12 | Apr 1 & 2 | No Class |
Apr 3 & 4 | Sipiora, Chapter 3 Formalist Criticism Introduction; Poe, “The Cask of Amontillado” (in ch. 8) | |
13 | Apr 8 & 9 | Essay workshop Assignment: Bring two (2) printed rough drafts with you to class ready to share with your classmates. |
Apr 10 & 11 | Essay #3 Due on Deep Dives | |
14 | Apr 15 & 16 | Wilson, Ma Rainey’s Black Bottom |
Apr 17 & 18 | ||
15 | Apr 22 & 23 | Screening of Wolfe, Ma Rainey’s Black Bottom |
Apr 24 & 25 | ||
16 | Apr 29 & 30 | Writing #4 on Wilson In-Class Bring a blue or black pen, a blue book (you may purchase these in the bookstore), a dictionary, and your purchased copy of the play.[6] |
notes
- ↑ I told you the password in class on the first day.
- ↑ See their introductory video for additional assistance.
- ↑ This Friday 2/16 will be the last day to submit Essay 1 for credit.
- ↑ Midterm grades due on March 8, 2023.
- ↑ Drop day in Wednesday, March 16, 2023.
- ↑ I will only allow legal copies of the play: i.e., those purchased as required for the course.
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