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{{dc|P}}{{start|oetry after World War II}} is often referred to as the "post-war" or "contemporary" period. | |||
{{Collapse top|title=General Characteristics|bg=#F0F2F5|left=yes}} | |||
Some general characteristics of contemporary poetry include: | |||
* Interest in the individual: Like modernist poetry, post-war English poetry places a strong emphasis on the individual, their experiences, and their emotions. | |||
* Rejection of traditional forms: Post-war poets often rejected traditional forms of poetry and experimented with new forms, including free verse, prose poetry, and visual poetry. | |||
* Political and social commentary: Post-war poetry frequently engages with political and social issues of the time, such as the Cold War, civil rights, and feminism. | |||
* Confessional poetry: Some post-war poets, such as Sylvia Plath and Robert Lowell, wrote confessional poetry that explores their own personal struggles, often with mental illness or family issues. | |||
* Use of irony and humor: Post-war poetry often employs irony and humor to critique the social and political status quo. | |||
* Interest in language and sound: Post-war poets often experiment with language, using sound, rhythm, and wordplay to create new effects and meanings. | |||
* Eclectic influences: Post-war poets draw from a wide range of literary and cultural influences, including modernism, surrealism, jazz, and popular culture. | |||
These characteristics are not exhaustive, and there is considerable variety and diversity within post-war poetry. However, they provide a sense of some of the key features of the period. | |||
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{| style="width: 80%;" | {| style="width: 80%;" | ||
|- style="font-align: left;" | |||
| colspan="3" | {{Big|Maya Angelou}} | |||
|- style="vertical-align: top;" | |||
| colspan="3" |{{bulleted list|“[[February 23, 2023|Still I Rise]]”}} | |||
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| colspan="3" | {{Line}} | |||
|- style="font-align: left;" | |- style="font-align: left;" | ||
| colspan="3" | {{Big|Margaret Atwood}} | | colspan="3" | {{Big|Margaret Atwood}} | ||
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|- style="vertical-align: top;" | |- style="vertical-align: top;" | ||
| colspan="3" |{{bulleted list|“[[May 23, 2020|Primer For Blacks]]”|“[[May 30, 2020#Cool|We Real Cool]]”}} | | colspan="3" |{{bulleted list|“[[May 23, 2020|Primer For Blacks]]”|“[[May 30, 2020#Cool|We Real Cool]]”}} | ||
|- | |||
| colspan="3" | {{Line}} | |||
|- style="font-align: left;" | |||
| colspan="3" | {{Big|Charles Bukowski}} | |||
|- style="vertical-align: top;" | |||
| colspan="3" |{{bulleted list|“[[The Laughing Heart]]”}} | |||
|- | |- | ||
| colspan="3" | {{Line}} | | colspan="3" | {{Line}} |
Latest revision as of 10:34, 27 February 2024
Poetry after World War II is often referred to as the "post-war" or "contemporary" period.
General Characteristics
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Some general characteristics of contemporary poetry include:
These characteristics are not exhaustive, and there is considerable variety and diversity within post-war poetry. However, they provide a sense of some of the key features of the period. |
Maya Angelou | ||
Margaret Atwood | ||
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Gwendolyn Brooks | ||
Charles Bukowski | ||
Constantine Cavafy | ||
Lucille Clifton | ||
Allen Ginsburg | ||
Audre Lord | ||
Philip Larkin | ||
Robert Lowell | ||
Edna St. Vincent Millay | ||
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Adrienne Rich | ||
Carl Sandberg | ||
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Patricia Smith | ||
Mark Strand | ||
Derek Walcott | ||
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