m (Fixed title.) |
No edit summary |
||
(6 intermediate revisions by the same user not shown) | |||
Line 1: | Line 1: | ||
{{:Poetry/Tabs}} | {{:Poetry/Tabs}} | ||
{{see also|Romanticism: Revolt of the Spirit}} | {{see also|Romanticism: Revolt of the Spirit}} | ||
{{start| | {{dc|R}}{{start|omanticism refers to the poetry of the Romantic era}}, which emerged in the late 18th century and lasted until the mid-19th century. | ||
{{Collapse top|title=General Characteristics|bg=#F0F2F5|left=yes}} | |||
Some general characteristics of Romantic poetry include: | |||
* Emphasis on emotion and imagination: Romantic poets placed a strong emphasis on emotion and the imagination, often valuing these over reason and logic. | |||
* Love of nature: Many Romantic poets celebrated the beauty and power of nature, often using it as a source of inspiration or a symbol of the divine. | |||
* Interest in the supernatural and the mysterious: Romantic poets were fascinated by the supernatural and the mysterious, often exploring these themes in their work. | |||
* Individualism and personal experience: Romantic poets often focused on the individual experience rather than the collective or universal, often drawing on their own personal experiences and emotions. | |||
* Celebration of the common people: Many Romantic poets celebrated the lives and struggles of ordinary people, often highlighting the injustices and inequalities of their time. | |||
* Use of symbolism and metaphor: Romantic poets often used symbolic and metaphorical language to represent complex ideas or emotions. | |||
* Experimentation with form and language: Romantic poets often experimented with new forms of poetry, such as the lyric, the ballad, and free verse, and often used unconventional language and syntax to create new effects. | |||
These characteristics are not exhaustive, and there is considerable variety within Romantic poetry. However, they provide a general sense of the key features of the genre. | |||
{{Collapse bottom}} | |||
{{FH}} | {{FH}} | ||
<div style="display: flex; justify-content: center; padding: 25px 0 25px 0;"> | |||
{| style="width: | {| style="width: 80%;" | ||
|- style="font-align: left;" | |- style="font-align: left;" | ||
| colspan="3" | {{Big|William Blake}} | | colspan="3" | {{Big|William Blake}} | ||
Line 11: | Line 23: | ||
| style="width: 34%;" | From ''Songs of Innocence'': {{bulleted list|“[[Introduction (SI)|Introduction]]”|“[[The Lamb]]”|“[[The Chimney Sweeper (SI)|The Chimney Sweeper]]”|“[[The Blossom]]”|“[[The Divine Image]]”}} | | style="width: 34%;" | From ''Songs of Innocence'': {{bulleted list|“[[Introduction (SI)|Introduction]]”|“[[The Lamb]]”|“[[The Chimney Sweeper (SI)|The Chimney Sweeper]]”|“[[The Blossom]]”|“[[The Divine Image]]”}} | ||
| style="width: 34%;" | From ''Songs of Experience'': {{bulleted list|“[[Introduction (SE)|Introduction]]”|“[[Earth’s Answer]]”|“[[The Tyger]]”|“[[The Chimney Sweeper (SE)|The Chimney Sweeper]]”|“[[The Sick Rose]]”|“[[The Human Abstract]]”|“[[London]]”}} | | style="width: 34%;" | From ''Songs of Experience'': {{bulleted list|“[[Introduction (SE)|Introduction]]”|“[[Earth’s Answer]]”|“[[The Tyger]]”|“[[The Chimney Sweeper (SE)|The Chimney Sweeper]]”|“[[The Sick Rose]]”|“[[The Human Abstract]]”|“[[London]]”}} | ||
| [[File:William Blake, by C B Currie.jpg|thumb]] | | [[File:William Blake, by C B Currie.jpg|thumb|200px]] | ||
|- | |- | ||
| colspan="3" | {{Line}} | | colspan="3" | {{Line}} | ||
Line 24: | Line 36: | ||
|- style="vertical-align: top;" | |- style="vertical-align: top;" | ||
| colspan="2" | {{bulleted list|“[[Darkness]]”|“[[She Walks in Beauty]]”|“[[So We’ll No More Go A-Roving]]”|“[[There is a pleasure in the pathless woods]]”}} | | colspan="2" | {{bulleted list|“[[Darkness]]”|“[[She Walks in Beauty]]”|“[[So We’ll No More Go A-Roving]]”|“[[There is a pleasure in the pathless woods]]”}} | ||
| [[File:Byron 1813 by Phillips.jpg|thumb]] | | [[File:Byron 1813 by Phillips.jpg|thumb|200px]] | ||
|- | |- | ||
| colspan="3" | {{Line}} | | colspan="3" | {{Line}} | ||
Line 36: | Line 48: | ||
| colspan="3" | {{Big|Samuel Taylor Coleridge}} | | colspan="3" | {{Big|Samuel Taylor Coleridge}} | ||
|- style="vertical-align: top;" | |- style="vertical-align: top;" | ||
| colspan="2" | {{bulleted list|“[[Kubla Khan]]”|“[[The Rime of the Ancient Mariner]]”}} | | colspan="2" | {{bulleted list|“[[Kubla Khan]]”|“[[The Rime of the Ancient Mariner]]”|“[[Christabel]]”}} | ||
| [[File:Coleridge.jpeg|thumb]] | | [[File:Coleridge.jpeg|thumb|200px]] | ||
|- | |- | ||
| colspan="3" | {{Line}} | | colspan="3" | {{Line}} | ||
Line 43: | Line 55: | ||
| colspan="3" | {{Big|Emily Dickinson}} | | colspan="3" | {{Big|Emily Dickinson}} | ||
|- style="vertical-align: top;" | |- style="vertical-align: top;" | ||
| colspan="3" | {{bulleted list|“[[Above Oblivion’s Tide]]”}} | | colspan="3" | {{bulleted list|“[[Above Oblivion’s Tide]]”|“[[February 22, 2023|Because I Could Not Stop for Death]]”}} | ||
|- | |- | ||
| colspan="3" | {{Line}} | | colspan="3" | {{Line}} | ||
Line 49: | Line 61: | ||
| colspan="3" | {{Big|John Keats}} | | colspan="3" | {{Big|John Keats}} | ||
|- style="vertical-align: top;" | |- style="vertical-align: top;" | ||
| colspan="2" | {{bulleted list|“[[ | | colspan="2" | {{bulleted list|“[[On First Looking into Chapman’s Homer]]”|“[[When I have fears that I may cease to be]]”|“[[The Eve of Saint Agnes]]”|“[[La Belle Dame Sans Merci]]”|“[[Ode to a Nightingale]]”|“[[Ode on a Grecian Urn]]”|“[[To Autumn]]”}} | ||
| [[File:John Keats by William Hilton.jpg|thumb]] | | [[File:John Keats by William Hilton.jpg|thumb|200px]] | ||
|- | |- | ||
| colspan="3" | {{Line}} | | colspan="3" | {{Line}} | ||
Line 56: | Line 68: | ||
| colspan="3" | {{Big|Edgar Allan Poe}} | | colspan="3" | {{Big|Edgar Allan Poe}} | ||
|- style="vertical-align: top;" | |- style="vertical-align: top;" | ||
| colspan="2" | {{bulleted list|“[[Alone]]”|“[[A Dream Within a Dream]]” | | colspan="2" | {{bulleted list|“[[Alone]]”|“[[A Dream Within a Dream]]”|“[[Ulalume]]”}} | ||
| [[File:Edgar Allan Poe, circa 1849, restored, squared off.jpg|thumb]] | | [[File:Edgar Allan Poe, circa 1849, restored, squared off.jpg|thumb|200px]] | ||
|- | |- | ||
| colspan="3" | {{Line}} | | colspan="3" | {{Line}} | ||
Line 63: | Line 75: | ||
| colspan="3" | {{Big|Percy Bysshe Shelley}} | | colspan="3" | {{Big|Percy Bysshe Shelley}} | ||
|- style="vertical-align: top;" | |- style="vertical-align: top;" | ||
| colspan="2" | {{bulleted list|“[[Good-Night]]”|“[[Ozymandias]]”|“[[To a Sky-Lark]]”}} | | colspan="2" | {{bulleted list|“[[Good-Night]]”|“[[Ozymandias]]”|“[[Ode to the West Wind]]”|“[[To a Sky-Lark]]”}} | ||
| [[File:Percy Bysshe Shelley by Alfred Clint.jpg|thumb]] | | [[File:Percy Bysshe Shelley by Alfred Clint.jpg|thumb|200px]] | ||
|- | |- | ||
| colspan="3" | {{Line}} | | colspan="3" | {{Line}} | ||
Line 70: | Line 82: | ||
| colspan="3" | {{Big|William Wordsworth}} | | colspan="3" | {{Big|William Wordsworth}} | ||
|- style="vertical-align: top;" | |- style="vertical-align: top;" | ||
| colspan="2" | {{bulleted list|“[[Lines Composed a Few Miles Above Tintern Abbey]]”|“[[The World Is too Much with Us]]”}} | | colspan="2" | {{bulleted list|“[[Lines Composed a Few Miles Above Tintern Abbey]]”|“[[I wandered lonely as a cloud]]”|“[[I travelled among unknown men]]”|“[[The World Is too Much with Us]]”}} | ||
| [[File:William Wordsworth 001.jpg|thumb]] | | [[File:William Wordsworth 001.jpg|thumb|200px]] | ||
|- | |- | ||
| colspan="3" | {{Line}} | | colspan="3" | {{Line}} | ||
|} | |}</div> | ||
[[Category:Index]] | [[Category:Index]] | ||
[[Category:Poetry]] | [[Category:Poetry]] | ||
[[Category:Romanticism]] | [[Category:Romanticism]] |
Latest revision as of 08:56, 23 February 2023
Romanticism refers to the poetry of the Romantic era, which emerged in the late 18th century and lasted until the mid-19th century.
General Characteristics
|
---|
Some general characteristics of Romantic poetry include:
These characteristics are not exhaustive, and there is considerable variety within Romantic poetry. However, they provide a general sense of the key features of the genre. |
William Blake | ||
From Songs of Innocence: | From Songs of Experience: | |
Elizabeth Barrett Browning | ||
George Gordon, Lord Byron | ||
Mary Elizabeth Coleridge | ||
Samuel Taylor Coleridge | ||
Emily Dickinson | ||
John Keats | ||
Edgar Allan Poe | ||
Percy Bysshe Shelley | ||
William Wordsworth | ||