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From Gerald R. Lucas
  • | [[Science Fiction, Fall 2019/R1 Wikipedia Contributions|R1: Wikipedia Contributions]] || 50% | [[Science Fiction, Fall 2019/R2 Journal|R2: Journal]] || 30%
    7 KB (1,037 words) - 14:32, 13 August 2019
  • | 2019-11-05 || “[[November 5, 2019|Courage through Opposition: The Political Resonance of Norman Mailer]]” | | 2013-04-05 || “[[April 5, 2013|Into Darkness]]” || In ''The Executioner’s Song'', Gary Gilmore i
    4 KB (583 words) - 08:25, 26 July 2021
  • | [[New Media, Fall 2019/R1 Wikipedia Contributions|R1: Wikipedia Contributions]] || 50% | [[New Media, Fall 2019/R2 Journal|R2: Journal]] || 30%
    8 KB (1,237 words) - 15:42, 13 August 2019
  • ...d an understanding of the study of new media.'''<ref>Originally written on December 23, 2013 on LitMUSE.</ref>}} ...e=Norman Mailer and the Novel 2.0 |url= |journal=The Mailer Review |volume=5 |issue=1 |pages=248–263 |doi= |access-date= }}</ref>
    7 KB (1,129 words) - 15:46, 28 August 2020
  • Notes toward [[November 5, 2019|an essay]]. ...of the events, and in particular its subtext, still resonates.”{{sfn|Wade|2019|}}
    19 KB (2,662 words) - 09:36, 18 July 2022
  • * {{cite magazine |last=Lewis-Kraus |first=Gideon |date=December 12, 2016 |title=The Great A.I. Awakening |url=https://www.nytimes.com/2016/ ...p |first=Zack |date=January 22, 2019 |website=Vox |publisher= |access-date=2019-01-26 |quote=How social platforms enable far-right politicians’ campaigns
    44 KB (5,936 words) - 11:37, 4 October 2020
  • ...that “sullies everyone who lives under it,”{{sfn|Mailer|Mailer|2006|pp=94–5}} and therefore opposition to its every form becomes a moral imperative.{{s ...us art of protest, and the dance between authority and dissent.”{{sfn|Wade|2019|}} Others long for Mailer’s voice to offer a way through the current popu
    31 KB (4,662 words) - 09:13, 20 April 2022