Plato believed that imitation of sensible objects removed the poet, and the observer, from truth and reality by inspiring the emotions of pity and fear. Plato argued that philosophical knowledge is far superior that the mere imitative nature of art.
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MSC Humanities Upgraded
Yes, it’s finally finished. The migration from Drupal to WordPress on the MSC Humanities site is complete. Yes, the Leopard Server upgrade gave me some issues, but I think the result is worth it. Let’s just hope the next system update from Apple doesn’t break anything. It shouldn’t. I still have some work to do [...]
Some Notes on the Devil
I have often been fascinated by the devil. Upon hearing the word “evil,” many simply turn off, not wanting to hear anymore. Aren’t we, as good people, supposed to shun evil; do our best to destroy it; rebuke it; cast it down? Lucifer means “light bringer,” and I find that in many literary manifestations of the fallen archangel, he still fulfills that function.
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The Epic Hero
The epic hero has a double role. He (there are no epical woman heroes as far as I know) is an individual person with an habitual virtue from which his exploits flow, and he is representative of the group to whom the exploit is important.
Hector: Family Man, but Hero First
Book VI of Homer’s Iliad shows the contention in the heart of Hector, Ilium’s champion, but also a husband and new father: he is torn between his responsibilities as a hero to his people and as a the head of the household. Like so many soldiers going off to battle today, Hector is a new father who must risk his life to maintain his people’s way of life.
Euripides’ Medea: Patriarchial Terrorism
Medea does leave the audience with a sense of pity and terror, even perhaps more than Oedipus Rex in its unnaturalness, if that’s possible. Euripides’ play seems to suggest that in order for the patriarchy to understand its inherent double standards, one must strike it at its very center: those who would continue its tradition.
The Lessons of Titus
Titus Andronicus goes to great — almost hyperbolic — lengths to make this clear, though it is often overlooked trying to make ethical sense out of a morality tale. I believe that Titus Andronicus shares this quality with Euripides’ Medea: both of these plays unsettle us in ways that we might not be willing to face.