Unlike either Tarkovsky’s or Soderbergh’s film versions, both of whom seem to have taken Muntius’ interpretation of Solaris to heart, Lem’s 1961 novel suggests that Solaris remains alien, something that humanity’s cataloging and ordering cannot explain.
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We Want Mirrors
I watched Soderbergh’s Solaris again last night to try and get this paper going. I was again captivated by the visuals that seemed to pay homage to Tarkovsky’s love of flow. If Tarkovsky had had access to the latest in CG technology, would he have used it?
Tarkovsky’s Solaris
Tarkovsky’s Solaris portrays humanity’s attempt to understand that which is beyond the scope of our creation. The characters make contact with the truly alien and try to conceive of this presence in terms dictated by their science and ration understand, but fail miserably.