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The End Is Nigh?

The End Is Nigh?

Last night, I watched the first episode of Discovery’s new show The Colony. It’s a new reality show that takes place in a simulated post-apocalyptic world caused by a global pandemic of super flu. Think The Real World meets Survivor. (I actually began thinking that this would have been a good venue for the new season of Jersey Shore. No such luck.) The Colony got me thinking about the end of the world, as I’m sure it’s meant to do.

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More Criminal Behavior

Yes, we, the viewing public, are truly criminals. I mean, we must be to be treated this way.

Tonight, I got an interesting flag on a TiVo recording. I never watch Law & Order, but I received a text message that Katee Sakhoff would be a guest star. (OK, so I get texts about Battlestar Galactica. Sue me.) Anywho, the TiVo web site informs me that “the content can be recorded and viewed for 90 minutes after transmission, and is not transferrable. Content disappears from the Now Playing list after 90 minutes.” 90 minutes?! Why? Really, why? And while we’re at it, can you tell me why, when I rent a movie digitally do I only get 24 hours to watch it? Why? Seriously.

Greedy. Paranoid. Desperate. When will you folks realize that we, the fans of your shows, are not criminals? Go ahead: keep shooting yourselves in the foot. The more restrictions you put on your precious content the more you encourage criminal behavior.

Seriously. Think about it.

Update

Well, when I started to watch the recording, I got a warning that I only had 49 minutes left to watch it, and the show is 59 minutes. When I hit the button to start playing, I get the following.

Well, NBC, you’ve convinced me: I will never watch Law & Order again. Way to go. You win.

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I Spoke too Soon

I’m really tired of being treated like a criminal.

When are these big companies going to learn: the more they try to break my digital devices, the faster they will lose? The more they try to control their digital content with DRM, the more they damage themselves? They might be able to keep their content safe from those of us who wouldn’t steal it to begin with, but not from the real criminals. So what do they do? Yep, treat us all like criminals.

My iPod is broken. My Apple TV is broken. My DVD player is broken. My Wii is broken. My TiVo is broken — even after Cox spent an hour at my house yesterday installing the CableCARD. I knew before he left that I would have trouble with these stupid cards. And not 24 hours later, I no longer get a digital TV signal to my TiVo. Why do I even need a CableCARD? Right: I’m a criminal.

I know it’s probably not really the companies; Apple, Nintendo, and Cox have to appease the conglomerates that own the content. Thus, we have broken stuff. I can’t copy music from my own iPod. Why? I can only use my iPod Shuffle with one computer. Why? Don’t even get me started about the ridiculous constraints on the iPone. The list gets longer and broader everyday. Why? It’s obvious: we’re all criminals.

So, I spoke too soon when I said we were TiVo people again. I’m thinking this is the way that Cox will operate with these cards: make the CableCARD so inconvenient that we just say forget it, and get the substandard Cox DVR back in our living room. Yeah, sometimes channels would just drop out; yeah, it’s too stupid to know that it just recorded the same episode of the same show an hour earlier; yeah, it occasionally gave a cryptic “recording error” in place of what was supposed to be the latest episode of The Office. But at least we didn’t have to deal with CableCARDs and the ridiculous electronic gatekeepers of the Cox customer service line when they malfunctioned.

Like many Republicans consider the government, so these corporations consider us customers: a nuisance. They treat us with disdain, ironically not seeming to realize they need us (maybe that’s debatable). Granted, I wasn’t really nice to the girl “helping” me tonight (I’m sorry for being jerky), but I was annoyed at the many measures they undertake not to talk to me: “listen closely to the choices, since our menus have changed”; “enter the last four digits of the primary account holder’s social security number”; next menu: “press 1 for…”; next the AI who “wants to ask me a few questions”; after battling with it for several minutes (when has a telephone AI ever been helpful?) — a person. Then, the next series of questions, beginning with the last four digits of my social security number, even though I entered it above. By the time you get to talk to someone, you’re already frustrated. And they are never able to help. Ever. “We’ll have to schedule a technician to come out. How’s three weeks from now?”

OK, I’m ranting. I’m also TiVo-less and HD TV-less. Worse things have happened. Maybe I’ll read that Norman Mailer novel I’ve been meaning to get to. At least I don’t need a CableCARD to read a novel.

Yet.

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TiVo!

Well, we’re TiVo people again.

Thanks to Circuit City going out of business here, we were able to score an HD TiVo box for $80. We had been thinking about ditching cable, but with the addition of more HD channels and now a brand new TiVo, we’ll be holding on to cable for a while.

Having the cable cards installed this afternoon was a bit trying, but the machine seems to be working as it should. It’s currently downloading information during the setup, so I’ll know in a few minutes.

I also picked up a Western Digital DVR Expander. I suspect that any external eSATA hard drive would have been capable of doing the trick, but the 500-gig external drive was only $150. So far, the TiVo has not recognized it. I think this is pretty typical of my experiences with WD products. Hopefully, I won’t have to take it back.

Anyway, I’m happy to have TiVo again. I just can’t wait until next month when I can watch Netflix from the TiVo!

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Star Trek: 1966-2005

Today’s Op-Ed section of the NYTimes prints the obituary of our long-beloved Star Trek. Since the Times only has its articles available for a short time, I’ll reprint the whole thing here:

By the middle of May, the “Star Trek” franchise will be no more, having died a death as long and lingering as — well, insert your favorite Trekkie long-and-lingering-death simile here. UPN has decided to bring “Star Trek: Enterprise” – the latest version of the saga – to an end and to give the whole idea of “Star Trek” a creative rest. The producers of the show have rejected a hopeless last-ditch effort to raise funds directly from fans to continue production.

The original “Star Trek” series proved what a little imagination, a little patience and a lot of plywood and foam core could do for televised science fiction. It ran for only three seasons on NBC in the late 1960′s but attracted a devoted following that seems, somehow, to have replicated itself by cloning. It also inspired four additional series, 10 “Star Trek” movies and a delightful parody called “Galaxy Quest,” starring Tim Allen and Sigourney Weaver, which flirted momentarily with the nihilistic possibility that a television show about space might merely be a television show about space.

For “Star Trek” fans, a future with no “Star Trek” at all must seem as empty as one of those great space voids the ever-endangered starship Enterprise kept getting sucked into. But somewhere, a TV executive is undoubtedly repeating the slogan about going where no one has gone before – and wondering how to make that idea about direct fan-financing work.

It was so young, but felt so damn old. I know it was tired and suffering. I say, may it rest in peace for a long time before some executive gets the idea to resurrect it as Star Trek: The Geriatric Generation. Let’s wipe away the tears and turn our attention toward the future, shall we?

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Long Way Round

I finished watching “Long Way Round” this evening. Though I wish they had spent some more time highlighting the U.S., the seven episode series was very well done. Ewan McGregor and Charley Boorman rode 20,000 miles from London to New York City, though Mongolia and Siberia on a pair of BMW R 1150 GS motorcycles. What a trip. Ewan made the comment in the last episode that he hopes their trip inspires people to try something that they think might be impossible, to silence the doubts to safety that such an ostensibly foolish trip might bring to most of us. Well, these guys were well funded, but their adventure certainly makes me want to ride. I’m thinking about Alaska’s Dalton Highway up to Deadhouse on the Artic Ocean featured in this month’s Rider. Yes, I will do that one day. Thanks for the inspiration, Ewan and Charley, not that I needed it to ride.

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The X-Files Effect: The Case of José Chung

“As a storyteller, I am fascinated how a person’s sense of consciousness can be so transformed by nothing more magical than listening to words . . . mere words.” (José Chung)

Donna Haraway, in her 1985 essay “A Manifesto for Cyborgs,” discusses both technology’s liberatory and terrifying potential in its interaction with humanity. Fueled by the discourses of postmodernism, feminism, socialism, and popular culture, Haraway theorizes “the possibilities for our reconstruction [that] include the utopian dream of the hope for a monstrous world without gender.” Haraway engages the goal of the modernist project, but combines it with her figuration of the cyborg, in a ironic, blasphemous, and ludic articulation. Haraway illustrates that we cyborgs are wrapped up in both the discourses of postmodernism and modernism, looking both forward and back in an attempt to explain our life experiences and (re)write our own realities. Our explanations become the narratives that articulate and give meaning to our individual and diverging realities.

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