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Odysseus and the Poet

I recently been thinking about rhetoric, memory, and poetry and how they are interrelated. Along with the Odyssey, I have been reading Plato’s dialogues Gorgias and Phaedrus. The dialogues discuss rhetoric as being a “knack” used for persuasion that does not necessarily have anything to do with Truth. Now, it seems to me, that if poetry were put into the equation, and Plato’s metaphysical memory, then Homer seems to embody the, what Plato ambiguously calls, “true rhetorician.”

Asmov’s “Reason”

Vico’s Homer

Vico, in his imaginative search for the true Homer, uses the language of reason combined with creative speculation and inductive hypothesizing. Homer, for Vico, is a metaphor for the citizens of ancient Greece. He did not exist as a man, but as a much more powerful entity who lived in the cultural consciousness of the entire nation. Homer himself became a myth — a integral myth for the emergence of Greek polity, poetry, and philosophy.

Notes on Gilgamesh

Gilgamesh is a primary epic, composed over a thousand years by cultural stories of the legendary king, Gilgamesh, who is thought to have historically ruled Uruk circa 2700 BCE. The oral stories were probably assembled by a poet and cast into the narrative form of the epic between 2000 and 1600 BCE and finally written on clay tablets in cuneiform during the reign of Assurbanipol in 668-627 BCE.